{"id":3181,"date":"2021-11-29T19:29:21","date_gmt":"2021-11-30T00:29:21","guid":{"rendered":"https:\/\/ffh.unsa.edu.pe\/artes\/?page_id=3181"},"modified":"2021-11-29T20:14:47","modified_gmt":"2021-11-30T01:14:47","slug":"dra-zoila-elena-vega-salvatierra-informe-de-actividades-de-movilidad-docente","status":"publish","type":"page","link":"https:\/\/ffh.unsa.edu.pe\/artes\/dra-zoila-elena-vega-salvatierra-informe-de-actividades-de-movilidad-docente\/","title":{"rendered":"Dra. Zoila Elena Vega Salvatierra &#8211; INFORME DE ACTIVIDADES DE MOVILIDAD DOCENTE"},"content":{"rendered":"<h4><b>A\u00d1O 2021<\/b><\/h4>\n<ul>\n<li>Conferencia \u201cUna canci\u00f3n con escalas pol\u00e9micas: pentaton\u00eda y s\u00e9ptimo modo en el yarav\u00ed surperuano del siglo XVIII y XIX, 19 de febrero de 2021, para la J\u00f3ven Asociaci\u00f3n de Music\u00f3logos de Salamanca, (JAM), Espa\u00f1a.<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3195\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/Zolia-Diploma-firmado.jpg\" alt=\"\" width=\"700\" height=\"495\" srcset=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/Zolia-Diploma-firmado.jpg 1754w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/Zolia-Diploma-firmado-768x543.jpg 768w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/Zolia-Diploma-firmado-1536x1086.jpg 1536w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>Ponente en las Jornadas Virtuales de Musicolog\u00eda de la JAM de Salamanca, 16 de abril de 2021 con la ponencia \u201cCiudades Sonaras Ilustradas en la Independencia: El caso de Arequipa entre 1814 y 1834\u201d<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3186\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-Zoila-Diploma-Jornadas-Virtuales.jpg\" alt=\"\" width=\"700\" height=\"495\" srcset=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-Zoila-Diploma-Jornadas-Virtuales.jpg 1754w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-Zoila-Diploma-Jornadas-Virtuales-768x543.jpg 768w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-Zoila-Diploma-Jornadas-Virtuales-1536x1086.jpg 1536w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<ul>\n<li>Ponente en el\u00a0 XIX CONGRESO INTERNACIONAL DE LA ASOCIACI\u00d3N ESPA\u00d1OLA DE AMERICANISTAS \u201cLOS Caminos de Am\u00e9rica\u201d 14 al |6 de junio de 2021, Universidad de Santiago de Compostela, con la ponencia: Rossini en los Andes: Asimilaciones, transformaciones y usos del lenguaje rossiniano en las obras de Lorenzo Rojas (Arequipa, Per\u00fa, 1806-1865)<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3185\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-DIPLOMAS-S.31-8.jpg\" alt=\"\" width=\"700\" height=\"494\" srcset=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-DIPLOMAS-S.31-8.jpg 1754w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-DIPLOMAS-S.31-8-768x543.jpg 768w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/1.-DIPLOMAS-S.31-8-1536x1085.jpg 1536w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<ul>\n<li>Ponente en el Congreso Nacional de Historia Bicentenario \u201cRepensar la Rep\u00fablica\u201d del 6 al 9 de julio de 2021. Proyecto Especial Bicentenario de la Independencia del Per\u00fa del Ministerio de cultura, con la ponencia: Canciones tristes de nuestros padres: la vinculaci\u00f3n criolla con el Ande a trav\u00e9s del yarav\u00ed decimon\u00f3nico en los albores de la independencia.<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3193\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/2021-CNHB-PONENTE-Zoila-Vega-Salvatierra.jpg\" alt=\"\" width=\"700\" height=\"485\" srcset=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/2021-CNHB-PONENTE-Zoila-Vega-Salvatierra.jpg 1625w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/2021-CNHB-PONENTE-Zoila-Vega-Salvatierra-768x532.jpg 768w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/2021-CNHB-PONENTE-Zoila-Vega-Salvatierra-1536x1063.jpg 1536w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<ul>\n<li>III Congreso MUSAM \u201c<i>M\u00fasicas Iberoamericanas: caminos, redes y circuitos\u201d<\/i> del 14 al 16 de octubre de 2021. Sociedad Espa\u00f1ola de musicolog\u00eda, Universidad de Santiago de Compostela, con la ponencia: Circulaci\u00f3n, adaptaciones y reescrituras del repertorio oper\u00edstico franc\u00e9s en el mundo ib\u00e9rico a comienzos del siglo XIX: el caso de la \u00f3pera <i>Une folie<\/i> de Etienne Nicolas M\u00e9hul (1802) y la tonadilla <i>La travesura <\/i>del peruano Pedro Xim\u00e9nez (c. 1820-1840)<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3191\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-Vega-Zoila-1.jpg\" alt=\"\" width=\"700\" height=\"991\" srcset=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-Vega-Zoila-1.jpg 1239w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-Vega-Zoila-1-768x1087.jpg 768w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-Vega-Zoila-1-1085x1536.jpg 1085w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h4><b>A\u00d1O 2020<\/b><\/h4>\n<ul>\n<li>Asistente al XIV Congreso de la rama latinoamericana de la Asociaci\u00f3n Internacional para el Estudio de la M\u00fasica Popular. Medell\u00edn, Colombia, 29 de noviembre al 4 de diciembre de 2020.<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3189\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-IASPM-2020.jpg\" alt=\"\" width=\"700\" height=\"541\" srcset=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-IASPM-2020.jpg 1650w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-IASPM-2020-88x67.jpg 88w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-IASPM-2020-768x593.jpg 768w, https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2021\/11\/11.-IASPM-2020-1536x1187.jpg 1536w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A\u00d1O 2021 Conferencia \u201cUna canci\u00f3n con escalas pol\u00e9micas: pentaton\u00eda y s\u00e9ptimo modo en el yarav\u00ed surperuano del siglo XVIII y XIX, 19 de febrero de 2021, para la J\u00f3ven Asociaci\u00f3n de Music\u00f3logos de Salamanca, (JAM), Espa\u00f1a. &nbsp; Ponente en las Jornadas Virtuales de Musicolog\u00eda de la JAM de Salamanca, 16 de abril de 2021 con [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3181","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages\/3181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/comments?post=3181"}],"version-history":[{"count":9,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages\/3181\/revisions"}],"predecessor-version":[{"id":3196,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages\/3181\/revisions\/3196"}],"wp:attachment":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/media?parent=3181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}