{"id":3534,"date":"2023-05-08T06:41:56","date_gmt":"2023-05-08T11:41:56","guid":{"rendered":"https:\/\/ffh.unsa.edu.pe\/artes\/?page_id=3534"},"modified":"2024-09-11T11:38:20","modified_gmt":"2024-09-11T16:38:20","slug":"chischay-revista-de-investigacion-musical","status":"publish","type":"page","link":"https:\/\/ffh.unsa.edu.pe\/artes\/chischay-revista-de-investigacion-musical\/","title":{"rendered":"CHISCHAY Revista de Investigaci\u00f3n Musical"},"content":{"rendered":"<h3>CHISCHAY Revista de investigaci\u00f3n musical Vol. 2, N\u00ba 2\u00a0 enero &#8211; diciembre 2023<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3969 alignnone\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2024\/09\/Chischay2-port.png\" alt=\"\" width=\"202\" height=\"295\" \/><\/p>\n<p><a href=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2024\/09\/revista-final-primavera.pdf\"><strong>VER EN PDF<\/strong><\/a><\/p>\n<h3>CHISCHAY Revista de investigaci\u00f3n musical Vol. 1, N\u00ba 1\u00a0 enero &#8211; diciembre 2022<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3546 alignleft\" src=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2023\/05\/Chischay-1-portada.jpg\" alt=\"\" width=\"200\" height=\"282\" \/><\/p>\n<ul>\n<li class=\"p1\">Zoila Vega Salvatierra, Dossier: Investigaci\u00f3n musical y perspectiva de g\u00e9nero.<\/li>\n<li class=\"p1\">Zoila Vega Salvatierra,\u201cMaestra, no se vista de hombre\u201d: M\u00fasica, g\u00e9nero y disidencias en la cotidianeidad de la m\u00fasica acad\u00e9mica.<\/li>\n<li class=\"p1\">S\u00edlvia Mart\u00ednez Garc\u00eda, M\u00fasica popular urbana y feminismos: mirando a Eurovisi\u00f3n con perspectiva de g\u00e9nero.<\/li>\n<li class=\"p1\">Lizette Alegre Gonz\u00e1lez, Feminismo decolonial y etnomusicolog\u00eda.<\/li>\n<li class=\"p1\">Julio Mend\u00edvil Trelles, \u00bfPor qu\u00e9 incomodan los estudios de g\u00e9nero en la musicolog\u00eda peruana?<\/li>\n<li class=\"p1\">Dra. Pilar Lopera Quintanilla, Secci\u00f3n Cadencia: documentos, rese\u00f1as, noticias y otros.<\/li>\n<li class=\"p1\">Dra. Alejandra Lopera Quintanilla, 19 a\u00f1os del Festival Internacional de M\u00fasica Antigua de la PUCP y el desarrollo de la ejecuci\u00f3n hist\u00f3rica en el Per\u00fa.<\/li>\n<li class=\"p1\">Mag. Ramiro Miranda Paredes, El V Seminario internacional de direcci\u00f3n de bandas y lutheria para instrumentos de vientos \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0<strong> \u00a0 <a href=\"https:\/\/ffh.unsa.edu.pe\/artes\/wp-content\/uploads\/sites\/2\/2023\/05\/digintal-final-Chiscay.pdf\" target=\"_blank\" rel=\"noopener\">VER EN PDF<\/a><\/strong><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHISCHAY Revista de investigaci\u00f3n musical Vol. 2, N\u00ba 2\u00a0 enero &#8211; diciembre 2023 VER EN PDF CHISCHAY Revista de investigaci\u00f3n musical Vol. 1, N\u00ba 1\u00a0 enero &#8211; diciembre 2022 Zoila Vega Salvatierra, Dossier: Investigaci\u00f3n musical y perspectiva de g\u00e9nero. Zoila Vega Salvatierra,\u201cMaestra, no se vista de hombre\u201d: M\u00fasica, g\u00e9nero y disidencias en la cotidianeidad de [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3534","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages\/3534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/comments?post=3534"}],"version-history":[{"count":18,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages\/3534\/revisions"}],"predecessor-version":[{"id":3977,"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/pages\/3534\/revisions\/3977"}],"wp:attachment":[{"href":"https:\/\/ffh.unsa.edu.pe\/artes\/wp-json\/wp\/v2\/media?parent=3534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}