{"id":4515,"date":"2026-07-08T11:20:43","date_gmt":"2026-07-08T16:20:43","guid":{"rendered":"https:\/\/ffh.unsa.edu.pe\/artes\/?page_id=4515"},"modified":"2026-07-08T11:24:09","modified_gmt":"2026-07-08T16:24:09","slug":"catalogo-musica","status":"publish","type":"page","link":"https:\/\/ffh.unsa.edu.pe\/artes\/catalogo-musica\/","title":{"rendered":"Cat\u00e1logo M\u00fasica"},"content":{"rendered":"<style>\n#cendoc-catalogo{margin:20px 0;font-family:inherit; color: #000 }\n#cendoc-catalogo .cendoc-tabs{margin-bottom:0;border-bottom:1px solid #ddd}\n#cendoc-catalogo .cendoc-tabs>li{margin-bottom:-1px}\n#cendoc-catalogo .cendoc-tabs>li>a{font-weight:700;text-transform:uppercase;font-size:12px;color:#444;border-radius:4px 4px 0 0;line-height:1.3}\n#cendoc-catalogo .cendoc-tabs>li.active>a,\n#cendoc-catalogo .cendoc-tabs>li.active>a:focus,\n#cendoc-catalogo .cendoc-tabs>li.active>a:hover{color:#111;background:#fff;border:1px solid #ddd;border-bottom-color:transparent}\n#cendoc-catalogo .badge{margin-left:6px;background:#777}\n#cendoc-catalogo .tab-content{border:1px solid #ddd;border-top:0;padding:15px;background:#fff;clear:both}\n#cendoc-catalogo .tab-pane{padding-top:5px}\n#cendoc-catalogo .cendoc-head{margin:0 0 12px 0;overflow:hidden}\n#cendoc-catalogo .cendoc-head h3{font-size:18px;margin:0;float:left;font-weight:700;line-height:1.4}\n#cendoc-catalogo .cendoc-count{float:right;color:#777;font-size:13px;line-height:25px}\n#cendoc-catalogo .table{font-size:13px;margin-bottom:0;background:#fff}\n#cendoc-catalogo .table th{white-space:nowrap;background:#f5f5f5}\n#cendoc-catalogo .codigo-cat{font-weight:700;white-space:nowrap;width:120px}\n#cendoc-catalogo .table-responsive{border:0;margin-bottom:0}\n@media (max-width:767px){\n  #cendoc-catalogo .cendoc-tabs>li{float:none;display:block}\n  #cendoc-catalogo .cendoc-tabs>li>a{margin-right:0}\n  #cendoc-catalogo .cendoc-head h3,#cendoc-catalogo .cendoc-count{float:none;display:block}\n  #cendoc-catalogo .table{font-size:12px}\n}\n<\/style>\n<div id=\"cendoc-catalogo\">\n<ul class=\"nav nav-tabs cendoc-tabs\" role=\"tablist\">\n<li role=\"presentation\" class=\"active\"><a href=\"#cendoc-musica-en-general\" aria-controls=\"cendoc-musica-en-general\" role=\"tab\" data-toggle=\"tab\">M\u00daSICA EN GENERAL<span class=\"badge\">73<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-historia-de-la-musica\" aria-controls=\"cendoc-historia-de-la-musica\" role=\"tab\" data-toggle=\"tab\">HISTORIA DE LA M\u00daSICA<span class=\"badge\">103<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-teoria-de-la-musica\" aria-controls=\"cendoc-teoria-de-la-musica\" role=\"tab\" data-toggle=\"tab\">TEOR\u00cdA DE LA M\u00daSICA<span class=\"badge\">58<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-lenguaje-musical\" aria-controls=\"cendoc-lenguaje-musical\" role=\"tab\" data-toggle=\"tab\">LENGUAJE MUSICAL<span class=\"badge\">29<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-direccion-musical\" aria-controls=\"cendoc-direccion-musical\" role=\"tab\" data-toggle=\"tab\">DIRECCI\u00d3N MUSICAL<span class=\"badge\">3<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-produccion-musical\" aria-controls=\"cendoc-produccion-musical\" role=\"tab\" data-toggle=\"tab\">PRODUCCI\u00d3N MUSICAL<span class=\"badge\">1<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-investigacion\" aria-controls=\"cendoc-investigacion\" role=\"tab\" data-toggle=\"tab\">INVESTIGACI\u00d3N<span class=\"badge\">6<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-pedagogia\" aria-controls=\"cendoc-pedagogia\" role=\"tab\" data-toggle=\"tab\">PEDAGOG\u00cdA<span class=\"badge\">14<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-repertorio-ensamble\" aria-controls=\"cendoc-repertorio-ensamble\" role=\"tab\" data-toggle=\"tab\">REPERTORIO ENSAMBLE<span class=\"badge\">78<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-piano\" aria-controls=\"cendoc-piano\" role=\"tab\" data-toggle=\"tab\">PIANO<span class=\"badge\">155<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-cuerdas-frotadas\" aria-controls=\"cendoc-cuerdas-frotadas\" role=\"tab\" data-toggle=\"tab\">CUERDAS FROTADAS<span class=\"badge\">96<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-viento-metal\" aria-controls=\"cendoc-viento-metal\" role=\"tab\" data-toggle=\"tab\">VIENTO METAL<span class=\"badge\">64<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-flauta-dulce\" aria-controls=\"cendoc-flauta-dulce\" role=\"tab\" data-toggle=\"tab\">FLAUTA DULCE<span class=\"badge\">9<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-percusion\" aria-controls=\"cendoc-percusion\" role=\"tab\" data-toggle=\"tab\">PERCUSI\u00d3N<span class=\"badge\">72<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-guitarra\" aria-controls=\"cendoc-guitarra\" role=\"tab\" data-toggle=\"tab\">GUITARRA<span class=\"badge\">82<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-canto\" aria-controls=\"cendoc-canto\" role=\"tab\" data-toggle=\"tab\">CANTO<span class=\"badge\">36<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-flauta-traversa\" aria-controls=\"cendoc-flauta-traversa\" role=\"tab\" data-toggle=\"tab\">FLAUTA TRAVERSA<span class=\"badge\">29<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-clarinete\" aria-controls=\"cendoc-clarinete\" role=\"tab\" data-toggle=\"tab\">CLARINETE<span class=\"badge\">45<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-saxofon\" aria-controls=\"cendoc-saxofon\" role=\"tab\" data-toggle=\"tab\">SAXOF\u00d3N<span class=\"badge\">24<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-oboe\" aria-controls=\"cendoc-oboe\" role=\"tab\" data-toggle=\"tab\">OBOE<span class=\"badge\">5<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-otros-instrumentos\" aria-controls=\"cendoc-otros-instrumentos\" role=\"tab\" data-toggle=\"tab\">OTROS INSTRUMENTOS<span class=\"badge\">3<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-otros\" aria-controls=\"cendoc-otros\" role=\"tab\" data-toggle=\"tab\">OTROS<span class=\"badge\">8<\/span><\/a><\/li>\n<li role=\"presentation\"><a href=\"#cendoc-hemeroteca\" aria-controls=\"cendoc-hemeroteca\" role=\"tab\" data-toggle=\"tab\">HEMEROTECA<span class=\"badge\">12<\/span><\/a><\/li>\n<\/ul>\n<div class=\"tab-content\">\n<div role=\"tabpanel\" class=\"tab-pane fade in active\" id=\"cendoc-musica-en-general\">\n<div class=\"cendoc-head\">\n<h3>M\u00daSICA EN GENERAL<\/h3>\n<div class=\"cendoc-count\">73 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0001<\/td>\n<td>El\u00edseo  Carb\u00f3<\/td>\n<td>A-b-c de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0002<\/td>\n<td>Kurt Pahlen<\/td>\n<td>Qu\u00e9 es la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0003<\/td>\n<td>Boris De Schloezer-Marina Scriabine<\/td>\n<td>Problemas de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0004<\/td>\n<td>Carlos Ch\u00e1vez<\/td>\n<td>El pensamiento m\u00fasical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0005<\/td>\n<td>Carlos Ch\u00e1vez<\/td>\n<td>El pensamiento m\u00fasical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0006<\/td>\n<td>Josef Rufer<\/td>\n<td>M\u00fasicos sobre m\u00fasica: en cartas, diarios y apuntes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0007<\/td>\n<td>Alphons Silbermann<\/td>\n<td>Introduction a une sociologie de la musique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0008<\/td>\n<td>Luiz Heitor Correa de Azevedo<\/td>\n<td>A m\u00fasica brasileira e seus fundamentos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0009<\/td>\n<td>Jorge D&#x27;urbano<\/td>\n<td>Como escuchar un concierto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0010<\/td>\n<td>Frank Martin &#8211; J. Claude Piguet<\/td>\n<td>Entretiens sur la musique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0011<\/td>\n<td>Andres Pardo Tovar<\/td>\n<td>El clave bien temperado de Juan Sebastian Bach<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0012<\/td>\n<td>Yehudi Menuhin y Curtis W. Davis<\/td>\n<td>La m\u00fasica del hombre<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0013<\/td>\n<td>Fred Hamel &amp; Mart\u00edn Hurlimann<\/td>\n<td>Enciclopedia de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0014<\/td>\n<td>Fred Hamel &amp; Mart\u00edn Hurlimann<\/td>\n<td>Enciclopedia de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0015<\/td>\n<td>Fred Hamel &amp; Mart\u00edn Hurlimann<\/td>\n<td>Enciclopedia de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0016<\/td>\n<td>Varios<\/td>\n<td>Los grandes temas de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0017<\/td>\n<td>Varios<\/td>\n<td>Los grandes temas de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0018<\/td>\n<td>Varios<\/td>\n<td>Los grandes temas de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0019<\/td>\n<td>Paul Collaer<\/td>\n<td>Orientaciones actuales de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0020<\/td>\n<td>Antoine Gol\u00e9a<\/td>\n<td>Est\u00e9tica de la m\u00fasica contempor\u00e1nea<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0021<\/td>\n<td>Boris De Schloezer<\/td>\n<td>Introducci\u00f3n a juan sebasti\u00e1n bach<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0022<\/td>\n<td>Manuel Barasoain Julbe<\/td>\n<td>Tecnolog\u00eda musical: cient\u00edfica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0023<\/td>\n<td>John Redfied<\/td>\n<td>M\u00fasica: ciencia y arte<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0024<\/td>\n<td>John Redfied<\/td>\n<td>M\u00fasica: ciencia y arte<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0025<\/td>\n<td>Stephan Krehl<\/td>\n<td>Fuga<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0026<\/td>\n<td>Juan Carlos Estenssoro<\/td>\n<td>M\u00fasica y sociedad coloniales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0027<\/td>\n<td>Juan Carlos Estenssoro<\/td>\n<td>M\u00fasica y sociedad coloniales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0028<\/td>\n<td>Max Peter Baumann<\/td>\n<td>Cosmolog\u00eda y m\u00fasica en los andes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0029<\/td>\n<td>Julian Carrillo<\/td>\n<td>Dos leyes de f\u00edsica musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0030<\/td>\n<td>Leandro Alvi\u00f1a Miranda<\/td>\n<td>Panorama musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0031<\/td>\n<td>Constant Lambert<\/td>\n<td>M\u00fasica a la vista: estudio de la m\u00fasica en su declinaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0032<\/td>\n<td>Constant Lambert<\/td>\n<td>M\u00fasica a la vista: estudio de la m\u00fasica en su declinaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0033<\/td>\n<td>Kurt Pahlen<\/td>\n<td>Que es la sinfon\u00eda<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0034<\/td>\n<td>L. Aubert M. Landowski<\/td>\n<td>La orquesta<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0035<\/td>\n<td>Herbert Eimert<\/td>\n<td>Que es la musica electronica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0036<\/td>\n<td>Herbert Eimert y otros<\/td>\n<td>Que es la musica electronica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0037<\/td>\n<td>Claude Debussy<\/td>\n<td>El se\u00f1or corchea y otros escritos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0038<\/td>\n<td>Francois- Rene Tranchefort<\/td>\n<td>Los instrumentos musicales en el mundo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0039<\/td>\n<td>Klaus Maersch- Ulrich Rohde -Otto Seiffert &#8211; Ute Singer<\/td>\n<td>Atlas de los instrumentos musicales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0040<\/td>\n<td>Enrique Martinez Miura<\/td>\n<td>Musica de camara<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0041<\/td>\n<td>Angeles de Juan Robledo &#8211; Enrique Perez Adrian<\/td>\n<td>La musica sinfonica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0042<\/td>\n<td>Hugh Macdonald<\/td>\n<td>Berlioz La Musica Y Los Musicos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0043<\/td>\n<td>Leonard B. Meyer<\/td>\n<td>Emocion y significado en la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0044<\/td>\n<td>Maureen Mc Carthy Draper<\/td>\n<td>La naturaleza de la musica un camino para el bienestar interior<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0045<\/td>\n<td>Don Randel Ed.<\/td>\n<td>Diccionario harvard de musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0046<\/td>\n<td>Francisco Samael Saravia Ramos<\/td>\n<td>Expresi\u00f3n y apreciaci\u00f3n artist\u00edca<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0047<\/td>\n<td>Tania Anaya Figueroa<\/td>\n<td>Cuadernos Arguedianos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0048<\/td>\n<td>\u2026\u2026\u2026\u2026<\/td>\n<td>I grandi mucisisti<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0049<\/td>\n<td>\u2026\u2026\u2026<\/td>\n<td>Instrumentos musicales clavicordio<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0050<\/td>\n<td>Jose Bernando Alzedo<\/td>\n<td>Filosofia elemental de la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0051<\/td>\n<td>Luca Chiantore &#8211; Aurea Dominguez &#8211; Silvia Martinez<\/td>\n<td>Escribir sobre musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0052<\/td>\n<td>Ramiro Antonio Miranda Paredes<\/td>\n<td>Recursos del conjunto instrumental orff &#8211; que favorecen el aprendizaje musical en ni\u00f1os del nivel primario<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0053<\/td>\n<td>Ramiro Antonio Miranda Paredes<\/td>\n<td>Recursos del conjunto instrumental orff &#8211; que favorecen el aprendizaje musical en ni\u00f1os del nivel primario<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0054<\/td>\n<td>Wilber Luis Quispe Mayta; Yovana Quispe Mayta; Ramiro Antonio Miranda Paredes; Omar Edwin Huahuachampi Huanca<\/td>\n<td>Estructura musical de los novenantes &#8211; de la provincia de melgar y su adaptacion musical para estudiantina<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0055<\/td>\n<td>Wilber Luis Quispe Mayta; Yovana Quispe Mayta; Ramiro Antonio Miranda Paredes; Omar Edwin Huahuachampi Huanca<\/td>\n<td>Estructura musical de los novenantes &#8211; de la provincia de melgar y su adaptacion musical para estudiantina<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0056<\/td>\n<td>Fred Hamel &amp; Mart\u00edn Hurlimann<\/td>\n<td>Enciclopedia de la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0057<\/td>\n<td>Fred Hamel &amp; Mart\u00edn Hurlimann<\/td>\n<td>Enciclopedia de la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0058<\/td>\n<td>Fred Hamel &amp; Mart\u00edn Hurlimann<\/td>\n<td>Enciclopedia de la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0059<\/td>\n<td>Melanie Plesch<\/td>\n<td>Analizar, interpretar, hacer m\u00fasica, de las cantigas de Santa Mar\u00eda a la organolog\u00eda<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0060<\/td>\n<td>Nikolaus Harnoncourt<\/td>\n<td>La m\u00fasica como discurso sonoro, hacia una nueva comprensi\u00f3n de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0061<\/td>\n<td>Julio Mend\u00edvil<\/td>\n<td>Cuentos fabulosos, la invenci\u00f3n de la m\u00fasica incaica y el nacimiento de la m\u00fasica andina como objeto de estudio etnomusicol\u00f3gico<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0062<\/td>\n<td>Alex Ross<\/td>\n<td>El ruido eterno, escuchar al siglo XX atrav\u00e9s de su m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0063<\/td>\n<td>Luca Chiantore &#8211; Aurea Dominguez &#8211; Silvia Martinez<\/td>\n<td>Escribir sobre m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0064<\/td>\n<td>Manuel Acosta Ojeda<\/td>\n<td>Aportes para un mapa cultural de la m\u00fasica popular del Per\u00fa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0065<\/td>\n<td>Escuela superior de folklore Jos\u00e9 Mar\u00eda Arguedas<\/td>\n<td>Ensamble de instrumentos tradicionales del Per\u00fa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0066<\/td>\n<td>R. Hernandez<\/td>\n<td>Manual de redaccion general<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0067<\/td>\n<td>Aaron Copland<\/td>\n<td>C\u00f3mo escuchar la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0068<\/td>\n<td>Vytautas Kavolis<\/td>\n<td>la expresi\u00f3n artistica, un estudio sociologico<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0069<\/td>\n<td>Sidney Harrison<\/td>\n<td>C\u00f3mo apreciar la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0070<\/td>\n<td>A. Geoffroy &#8211; Dechaume<\/td>\n<td>I segreti della musica antica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0071<\/td>\n<td>Ren\u00e9 Francois Tranchefort<\/td>\n<td>Gu\u00eda de la m\u00fasica de c\u00e1mara<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0072<\/td>\n<td>Diego Fischerman<\/td>\n<td>Despu\u00e9s de la m\u00fasica, el siglo XX y mas alla<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-MG-0073<\/td>\n<td>Harnoncourt, Nikolaus<\/td>\n<td>La m\u00fasica como discurso sonoro<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-historia-de-la-musica\">\n<div class=\"cendoc-head\">\n<h3>HISTORIA DE LA M\u00daSICA<\/h3>\n<div class=\"cendoc-count\">103 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0001<\/td>\n<td>Aar\u00f3n Copland<\/td>\n<td>M\u00fasica y m\u00fasicos contempor\u00e1neos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0002<\/td>\n<td>Varios<\/td>\n<td>M\u00fasica de siglos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0003<\/td>\n<td>C\u00e9sar Cui<\/td>\n<td>La m\u00fasica en rusia<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0004<\/td>\n<td>Christiane le Bordays<\/td>\n<td>La m\u00fasica espa\u00f1ola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0005<\/td>\n<td>Christiane le Bordays<\/td>\n<td>La m\u00fasica espa\u00f1ola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0006<\/td>\n<td>Jean-Francois Paillard<\/td>\n<td>La m\u00fasica cl\u00e1sica francesa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0007<\/td>\n<td>G. Jean &#8211; Aubry<\/td>\n<td>La m\u00fasica y las naciones<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0008<\/td>\n<td>Wagner &#8211; Liszt<\/td>\n<td>Correspondencia<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0009<\/td>\n<td>H. Lavoix<\/td>\n<td>Historia de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0010<\/td>\n<td>A. Della Corte y G. Pannain<\/td>\n<td>Historia de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0011<\/td>\n<td>A. Della Corte y G. Pannain<\/td>\n<td>Historia de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0012<\/td>\n<td>A. Della Corte y G. Pannain<\/td>\n<td>Historia de la m\u00fasica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0013<\/td>\n<td>Paul Rougnon<\/td>\n<td>La m\u00fasica y su historia<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0014<\/td>\n<td>Claude Samuel<\/td>\n<td>Panorama de la m\u00fasica contemporanea<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0015<\/td>\n<td>Jos\u00e9 Antonio Llor\u00e9ns Amico<\/td>\n<td>M\u00fasica popular en lima: criollos y andinos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0016<\/td>\n<td>Varios<\/td>\n<td>La m\u00fasica en el per\u00fa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0017<\/td>\n<td>Andres Sas Orchassal<\/td>\n<td>La m\u00fasica en la catedral de Lima durante el virreinato<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0018<\/td>\n<td>Andres Sas Orchassal<\/td>\n<td>La m\u00fasica en la catedral de lima durante el virreinato<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0019<\/td>\n<td>Andres Sas Orchassal<\/td>\n<td>La m\u00fasica en la catedral de lima durante el virreinato a &#8211;  ll<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0020<\/td>\n<td>Andres Sas Orchassal<\/td>\n<td>La m\u00fasica en la catedral de lima durante el virreinato a &#8211; ll<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0021<\/td>\n<td>Andres Sas Orchassal<\/td>\n<td>La m\u00fasica en la catedral de lima durante el virreinato a &#8211; mz<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0022<\/td>\n<td>Andres Sas Orchassal<\/td>\n<td>La m\u00fasica en la catedral de lima durante el virreinato  a &#8211; mz<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0023<\/td>\n<td>Rodolfo Holzmann<\/td>\n<td>El condor pasa &#8211; una incognita<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0024<\/td>\n<td>Roxana Vento<\/td>\n<td>Bodas de oro<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0025<\/td>\n<td>Zoila Elena Vega Salvatierra<\/td>\n<td>M\u00fasica latinoamericana: gu\u00eda de pr\u00e1cticas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0026<\/td>\n<td>Zoila Elena Vega Salvatierra<\/td>\n<td>M\u00fasica latinoamericana: gu\u00eda de pr\u00e1cticas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0027<\/td>\n<td>Edward J. Dent<\/td>\n<td>Opera<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0028<\/td>\n<td>Alejandra Lopera  Quintanilla<\/td>\n<td>Tratado sobre la musica barroca peruana<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0029<\/td>\n<td>Alejandra y Pilar Lopera  Quintanilla<\/td>\n<td>Tratado sobre fundamentos ejecuci\u00f3n ret\u00f3rica m\u00fasica barroca<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0030<\/td>\n<td>Alejandra y Pilar Lopera  Quintanilla<\/td>\n<td>Tratado sobre fundamentos ejecuci\u00f3n ret\u00f3rica m\u00fasica barroca<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0031<\/td>\n<td>Samuel Holland Rous<\/td>\n<td>The victrola book of the opera<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0032<\/td>\n<td>Nicolas Barquet<\/td>\n<td>Operas famosas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0033<\/td>\n<td>Steve Savage<\/td>\n<td>Mixing and mastering in the box the guide to making great mixes &amp; final masters on your computer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0034<\/td>\n<td>Enrico Fubini<\/td>\n<td>Musica y lenguaje en la est\u00e9tica contemporanea<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0035<\/td>\n<td>Enrico Fubini<\/td>\n<td>Musica y lenguaje en la est\u00e9tica contemporanea<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0036<\/td>\n<td>Harald Goetz<\/td>\n<td>Musica en Austria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0037<\/td>\n<td>Adolfo Salazar<\/td>\n<td>Conceptos fundamentales en la historia de la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0038<\/td>\n<td>John Caldwell<\/td>\n<td>La musica medieval<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0039<\/td>\n<td>Gustave Reese<\/td>\n<td>La musica en la edad media<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0040<\/td>\n<td>Gustave Reese<\/td>\n<td>La musica en el renacimiento I<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0041<\/td>\n<td>Gustave Reese<\/td>\n<td>La musica en el renacimiento II<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0042<\/td>\n<td>Patricia Adkins Chiti<\/td>\n<td>Las mujeres en la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0043<\/td>\n<td>Gerld Abraham<\/td>\n<td>Cien a\u00f1os de musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0044<\/td>\n<td>Friedemann Otterbach<\/td>\n<td>Johann Sebastian Bach vida y obra HISTORIA DE LA M\u00daSICA<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0045<\/td>\n<td>Alexandra Orla<\/td>\n<td>Chaikovski un autorretrato<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0046<\/td>\n<td>Alfred Cortot<\/td>\n<td>Aspectos de Chopin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0047<\/td>\n<td>Heinrich Strobel<\/td>\n<td>Claude Debussy<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0048<\/td>\n<td>Charles Rosen<\/td>\n<td>El estilo clasico Hayden Mozart Beethoven<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0049<\/td>\n<td>Alain Decaux<\/td>\n<td>Offenbach rey del segundo imperio<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0050<\/td>\n<td>Adam Zamoyski<\/td>\n<td>Paderewski<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0051<\/td>\n<td>Ernst Krause<\/td>\n<td>Puccini<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0052<\/td>\n<td>Robert King<\/td>\n<td>Henry Purcell<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0053<\/td>\n<td>Theo Hirsbrunner<\/td>\n<td>Maurice Ravel vida y obra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0054<\/td>\n<td>Ralph Kirkpatrick<\/td>\n<td>Domenico Scarlatti<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0055<\/td>\n<td>H.H. Stuckenschmidt<\/td>\n<td>Schonberg vida contexto obra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0056<\/td>\n<td>H.H. Stuckenschmidt<\/td>\n<td>Schonberg vida contexto y obra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0057<\/td>\n<td>Krzysztof of Meyer<\/td>\n<td>Shostakovich su vida su obra su epoca<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0058<\/td>\n<td>Bernhard Paumgartner<\/td>\n<td>Franz Schubert<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0059<\/td>\n<td>Walter Panofsky<\/td>\n<td>Richard Strauss<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0060<\/td>\n<td>Inhaltsverzeichnis<\/td>\n<td>Katalog catalogue<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0061<\/td>\n<td>Claude Rostand<\/td>\n<td>Anton webern<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0062<\/td>\n<td>Bernhard Paumgartner<\/td>\n<td>Franz Schubert<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0063<\/td>\n<td>Luca Chiantore<\/td>\n<td>Historia de la tecnica pianistica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0064<\/td>\n<td>Martin Gregor &#8211; Dellin<\/td>\n<td>Richard wagner<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0065<\/td>\n<td>Martin Gregoe &#8211; Dellin<\/td>\n<td>Richard wagner, 2 su vida &#8211; su obra &#8211; su siglo 1864 &#8211; 1883<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0066<\/td>\n<td>Henry &#8211; Louis De La Grande<\/td>\n<td>Viena una historia musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0067<\/td>\n<td>Antoine Golea<\/td>\n<td>Estetica de la musica contemporanea<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0068<\/td>\n<td>Ministerio De Cultura<\/td>\n<td>Orquesta sinfonica nacional del peru<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0069<\/td>\n<td>Pilar Lopera  Quintanilla<\/td>\n<td>Panorama general de la musica siglo xx<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0070<\/td>\n<td>Nestor Rios Checllo<\/td>\n<td>Los Duncker vida y obra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0071<\/td>\n<td>Proyecto mensurabilis<\/td>\n<td>Conferencias del festival barroco latinoamericano 2015 &#8211; 2016<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0072<\/td>\n<td>Mondadori &#8211; novaro<\/td>\n<td>Chopin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0073<\/td>\n<td>Pierre Milza<\/td>\n<td>Verdi y su tiempo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0074<\/td>\n<td>Zoila Vega Salvatierra<\/td>\n<td>Musica en la catedral de  1609 &#8211; 1881 fuentes, reglamentaci\u00f3n,ceremonias y capilla catedralicia<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0075<\/td>\n<td>Pedro Ximenez Abrill Tirado<\/td>\n<td>Cuartetos concertantes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0076<\/td>\n<td>Roger Alier<\/td>\n<td>Historia de la opera, los origenes, los protagonistas y la evolucion del genero lirico hasta la actualidad<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0077<\/td>\n<td>Broberto L. Pajares Alonso<\/td>\n<td>Historia de la musica para coservatorios<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0078<\/td>\n<td>Manfred F. Bukofzer<\/td>\n<td>La musica en la \u00e9poca barroca de Monteverdi a Bach<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0079<\/td>\n<td>Zoila Elena Vega Salvatierra<\/td>\n<td>Texto y contexto en la obra de Roberto Carpio en la Arequipa del siglo XX<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0080<\/td>\n<td>James A. Davis<\/td>\n<td>The music History Classroom<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0081<\/td>\n<td>Leonardo Waisman<\/td>\n<td>Una historia de la m\u00fasica colonial hispanoamericano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0082<\/td>\n<td>Geoffrey Baker<\/td>\n<td>Armon\u00eda dominante, m\u00fasica y sociedad en el cusco colonial<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0083<\/td>\n<td>Rub\u00e9n L\u00f3pez Cano<\/td>\n<td>M\u00fasica dispersa, apropiaci\u00f3n, influencias robos y remix en la era de la escucha digital<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0084<\/td>\n<td>Joseph Auner<\/td>\n<td>La m\u00fasica en los siglos XX y XXI<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0085<\/td>\n<td>Jos\u00e9 Ignacio L\u00f3pez Ram\u00edrez Gast\u00f3n<\/td>\n<td>La guardia nueva, visiones sobre la m\u00fasica electr\u00f3nica en el Per\u00fa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0086<\/td>\n<td>Consuelo Carredano y Victoria Eli<\/td>\n<td>Historia de la m\u00fasica en Espa\u00f1a e Hispanoam\u00e9rica, la m\u00fasica en hispanoam\u00e9rica en el siglo XX<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0087<\/td>\n<td>Alberto Gonz\u00e1les Lapuente<\/td>\n<td>Historia de la m\u00fasica en Espa\u00f1a e Hispanoam\u00e9rica, la m\u00fasica en Espa\u00f1a en el siglo XX<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0088<\/td>\n<td>Consuelo Carredano y Victoria Eli<\/td>\n<td>Historia de la m\u00fasica en Espa\u00f1a e hispanoam\u00e9rica en el siglo XIX<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0089<\/td>\n<td>Juan Jos\u00e9 Carreras<\/td>\n<td>Historia de la m\u00fasica en Espa\u00f1a e Hispanoam\u00e9rica, la m\u00fasica en Espa\u00f1a en el siglo XIX<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0090<\/td>\n<td>Jos\u00e9 M\u00e1ximo Leza<\/td>\n<td>Historia de la m\u00fasica en Espa\u00f1a e Hispanoam\u00e9rica, la m\u00fasica en el siglo XVIII<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0091<\/td>\n<td>\u00c1lvaro Torrente<\/td>\n<td>Historia de la musica en espa\u00f1a e hispanoam\u00e9rica, la m\u00fasica en el siglo XVII,<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0092<\/td>\n<td>Maricarmen G\u00f3mez<\/td>\n<td>Historia de la m\u00fasica en espa\u00f1a e hispanoam\u00e9rica , de los reyes cat\u00f3licos a Felipe II<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0093<\/td>\n<td>Maricarmen G\u00f3mez<\/td>\n<td>Historia de la m\u00fasica en espa\u00f1a e hispanoam\u00e9rica, de los or\u00edgenes hasta C. 1470<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0094<\/td>\n<td>Roberto L. Pajares Alonso<\/td>\n<td>Historia de la m\u00fasica para conservatorios<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0095<\/td>\n<td>Omar Carrazco Llanos &#8211; Manuel Cruz Luque<\/td>\n<td>Aurelio D\u00edaz Espinoza legado musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0096<\/td>\n<td>Roberto L. Pajares Alonso<\/td>\n<td>Historia de la musica, m\u00fasicos y contexto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0097<\/td>\n<td>Roberto L. Pajares Alonso<\/td>\n<td>Historia de la musica, g\u00e9neros musicales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0098<\/td>\n<td>Roberto L. Pajares Alonso<\/td>\n<td>Historia de la musica, difusi\u00f3n y notaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0099<\/td>\n<td>Roberto L. Pajares Alonso<\/td>\n<td>Historia de la musica, dinamica y timbre, los instrumentos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0100<\/td>\n<td>Roberto L. Pajares Alonso<\/td>\n<td>Historia de la musica, altura y duraci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0101<\/td>\n<td>Roberto L. Pajares Alonso<\/td>\n<td>Historia de la musica, \u00e9tica y est\u00e9tica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0102<\/td>\n<td>Zoila Elena Vega Salvatierra<\/td>\n<td>Vida musical cotidiana en Arequipa durante el oncenio de Leguia<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HM-0103<\/td>\n<td>Colin Lawson &#8211; Robin Stowell<\/td>\n<td>La interpretaci\u00f3n hist\u00f3rica de la m\u00fasica, una introducci\u00f3n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-teoria-de-la-musica\">\n<div class=\"cendoc-head\">\n<h3>TEOR\u00cdA DE LA M\u00daSICA<\/h3>\n<div class=\"cendoc-count\">58 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0001<\/td>\n<td>Julio Estrada &#8211; Jorge Gil<\/td>\n<td>M\u00fasica y teor\u00eda de grupos finitos: 3 variables booleanas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0002<\/td>\n<td>Pierre Schaeffer<\/td>\n<td>Qu\u00e9 es la m\u00fasica concreta<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0003<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Formas fundamentales para el an\u00e1lisis musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0004<\/td>\n<td>Dr. Edward Adolfo Escajadillo Umpire<\/td>\n<td>Formas y estructuras fundamentales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0005<\/td>\n<td>Hugo Riemann<\/td>\n<td>Fraseo musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0006<\/td>\n<td>Hans Scholz<\/td>\n<td>Compendio de armonia<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0007<\/td>\n<td>Enrique Iturriaga<\/td>\n<td>M\u00e9todo de composici\u00f3n mel\u00f3dica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0008<\/td>\n<td>Hermann Keller<\/td>\n<td>Fraseo y articulaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0009<\/td>\n<td>Hermann Keller<\/td>\n<td>Fraseo y articulaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0010<\/td>\n<td>Pierre Schaeffer<\/td>\n<td>Trait\u00e9 des objets musicaux<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0011<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>La forma binaria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0012<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Apuntes de clase para el an\u00e1lisis musical de la sonata<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0013<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Glosario de g\u00e9neros y formas para el an\u00e1lisis musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0014<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Glosario de terminolog\u00eda para el an\u00e1lisis musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0015<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Glosario de g\u00e9neros y formas para el an\u00e1lisis musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0016<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Glosario de terminolog\u00eda para el an\u00e1lisis musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0017<\/td>\n<td>Pilar Lopera Quintanilla<\/td>\n<td>Formas y estilos:la forma musical &#8211; la melod\u00eda y creaci\u00f3n mel\u00f3dica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0018<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Gu\u00eda de pr\u00e1cticas. Para el an\u00e1lisis musical de la forma sonata<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0019<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Gu\u00eda de pr\u00e1cticas. Para el an\u00e1lisis musical de la forma sonata<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0020<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Apuntes de clase para el an\u00e1lisis musical de la sonata<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0021<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Guia de practicas analisis musical forma ternaria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0022<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Guia de practicas analisis musical forma ternaria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0023<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Guia practica analisis musical forma binaria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0024<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Guia practica analisis musical forma binaria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0025<\/td>\n<td>Alejandra y Pilar Lopera  Quintanilla<\/td>\n<td>An\u00e1lisis descriptivo y registro sonoro de las siete sonatas para Flauta dulce y clavec\u00edn de Georg philipp<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0026<\/td>\n<td>Alejandra y Pilar Lopera  Quintanilla<\/td>\n<td>An\u00e1lisis descriptivo y registro sonoro de las siete sonatas para Flauta dulce y clavec\u00edn de Georg philipp<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0027<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Apuntes de clase para el an\u00e1lisis musical de formas binarias del tipo suite<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0028<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Apuntes de clase para el an\u00e1lisis musical de formas binarias del tipo suite<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0029<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Manual analisis musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0030<\/td>\n<td>Dionisio De Pedro<\/td>\n<td>Manual de formas musicales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0031<\/td>\n<td>Arnold Schonberg<\/td>\n<td>Fundamentos de la composicion musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0032<\/td>\n<td>Walter Piston<\/td>\n<td>Contrapunto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0033<\/td>\n<td>Leon Stein<\/td>\n<td>Structure &amp; style the study and analysis of musical forms expanded edition<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0034<\/td>\n<td>Willam Cole<\/td>\n<td>The form of music<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0035<\/td>\n<td>J.P.E. Harper &#8211; Scott and Jin Samson<\/td>\n<td>An introducction to music studies<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0036<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice model answers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0037<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice model answers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0038<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice model answers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0039<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice model answers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0040<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice model answers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0041<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0042<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0043<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0044<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0045<\/td>\n<td>Eric Taylor<\/td>\n<td>Music theory in practice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0046<\/td>\n<td>Aston Peter &#8211; Julian Webb<\/td>\n<td>Music  theory in practice 6<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0047<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>La forma Ternaria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0048<\/td>\n<td>Clendinning, Jane Piper; Marvin, Elizabeth West<\/td>\n<td>The Musician&#x27;s Guide to Theory and Analysis<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0049<\/td>\n<td>Victor de Rubertis<\/td>\n<td>Teoria completa de la musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0050<\/td>\n<td>Otto Karolyi<\/td>\n<td>La grammatica della musica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0051<\/td>\n<td>Jose  Torre Bertucci<\/td>\n<td>Tratado de contrapunto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0052<\/td>\n<td>Claude Abromont   &#8211;  Eug\u00e8ne De Montalembert<\/td>\n<td>Teor\u00eda de la m\u00fasica, una gu\u00eda<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0053<\/td>\n<td>John Rink<\/td>\n<td>La interpretaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0054<\/td>\n<td>Zamacois, Joaquim<\/td>\n<td>Teor\u00eda de la m\u00fasica (I)<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0055<\/td>\n<td>Zamacois, Joaquim<\/td>\n<td>Teor\u00eda de la m\u00fasica (II)<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0056<\/td>\n<td>Salzer, F\u00e9lix ; Schachter, Carl<\/td>\n<td>El contrapunto en la composici\u00f3n: el estudio de la conducci\u00f3n de las voces.<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0057<\/td>\n<td>Naomi Yandel<\/td>\n<td>Theory of music workbook for trinity college london written exams grade 6<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-TM-0060<\/td>\n<td>TEOR\u00cdA DE LA M\u00daSICA<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-lenguaje-musical\">\n<div class=\"cendoc-head\">\n<h3>LENGUAJE MUSICAL<\/h3>\n<div class=\"cendoc-count\">29 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0001<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Manual universitario de audioperceptiva b\u00e1sica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0002<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Manual universitario de audioperceptiva b\u00e1sica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0003<\/td>\n<td>Enrique Lemoine y G. Carulli<\/td>\n<td>Solfeo de los solfeos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0004<\/td>\n<td>A. Danhauser y L. Lemoine<\/td>\n<td>Solfeo de los solfeos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0005<\/td>\n<td>J.M.Dehan ET J. Grindel<\/td>\n<td>Cantilege 4,<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0006<\/td>\n<td>J.M.Dehan ET J. Grindel<\/td>\n<td>Cantilege 4\/z<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0007<\/td>\n<td>J.M.Dehan ET J. Grindel<\/td>\n<td>Cantilege 3<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0008<\/td>\n<td>J.M.Dehan ET J. Grindel<\/td>\n<td>Cantilege 3<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0009<\/td>\n<td>J.M.Dehan ET J. Grindel<\/td>\n<td>Cantilege 3<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0010<\/td>\n<td>J.M.Dehan ET J. Grindel<\/td>\n<td>Cantilege 1\/z<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0011<\/td>\n<td>Enrique Lemoine Y G. Carulli<\/td>\n<td>Solfeo de los solfeos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0012<\/td>\n<td>Enrique Lemoine Y G. Carulli<\/td>\n<td>Solfeo de los solfeos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0013<\/td>\n<td>Enrique Lemoine Y G. Carulli<\/td>\n<td>Solfeo de los solfeos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0014<\/td>\n<td>Enrique Lemoine Y G. Carulli<\/td>\n<td>Solfeo de los solfeos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0015<\/td>\n<td>Enrique Lemoine Y Carulli<\/td>\n<td>Solfeo de los solfeos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0016<\/td>\n<td>Ricardo Valls<\/td>\n<td>Dictados<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0017<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Correcta entonacion de acordes mayores y menores<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0018<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Correcta entonacion de acordes mayores y menores<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0019<\/td>\n<td>Pozzoli, Ettore<\/td>\n<td>Solfeos hablados y cantados curso N\u00b01<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0020<\/td>\n<td>Pozzoli, Ettore<\/td>\n<td>Solfeos hablados y cantados, curso N\u00b0 2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0021<\/td>\n<td>Pozzoli, Ettore<\/td>\n<td>Solfeos hablados y cantados, curso N\u00b0 3<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0022<\/td>\n<td>Pozzoli, Ettore<\/td>\n<td>Solfeos hablados y cantados, ap\u00e9ndice al primer curso<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0023<\/td>\n<td>Hindemith, Paul.<\/td>\n<td>Adiestramento elemental para m\u00fasicos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0024<\/td>\n<td>Rogers, Nancy; Ottman, Robert<\/td>\n<td>Music for sight singing<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0025<\/td>\n<td>Sol Berkowitz &#8211;  Gabriel Fontrier  &#8211;  Perry Goldstein  &#8211;   Edward Smaldone<\/td>\n<td>A new approach to sight singing<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0026<\/td>\n<td>Anne Carothers Hall  &#8211;  Timothy Paul Urban<\/td>\n<td>Studying rhythm<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0027<\/td>\n<td>Jerry Bergonzi<\/td>\n<td>Melodic Structures<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0028<\/td>\n<td>Pasquale Bona<\/td>\n<td>Rhythmical articulation, a complete method<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-LM-0048<\/td>\n<td>LENGUAJE MUSICAL<\/td>\n<td>DIRECCI\u00d3N MUSICAL<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-direccion-musical\">\n<div class=\"cendoc-head\">\n<h3>DIRECCI\u00d3N MUSICAL<\/h3>\n<div class=\"cendoc-count\">3 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-DM-0001<\/td>\n<td>H.Scherchen<\/td>\n<td>El arte de dirigir la orquesta<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-DM-0002<\/td>\n<td>Robert Spradling<\/td>\n<td>Exercises for the instrumental conductor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-DM-0003<\/td>\n<td>Robert Spradling<\/td>\n<td>Exercises for the instrumental conductor<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-produccion-musical\">\n<div class=\"cendoc-head\">\n<h3>PRODUCCI\u00d3N MUSICAL<\/h3>\n<div class=\"cendoc-count\">1 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-PM-0001<\/td>\n<td>Steve Savage<\/td>\n<td>Mixing and mastering in the box the guide to making great mixes &amp; final masters on your computer<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-investigacion\">\n<div class=\"cendoc-head\">\n<h3>INVESTIGACI\u00d3N<\/h3>\n<div class=\"cendoc-count\">6 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-IN-0001<\/td>\n<td>Agust\u00edn Mart\u00ednez Pel\u00e1ez<\/td>\n<td>Transversalidad en la investigaci\u00f3n de las artes y la creaci\u00f3n m\u00fasical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-IN-0002<\/td>\n<td>Rafael P\u00e9rez Arroyo<\/td>\n<td>La pr\u00e1ctica art\u00edstica como investigaci\u00f3n, propuestas metodol\u00f3gicas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-IN-0003<\/td>\n<td>Bego\u00f1a Lolo &#8211; Adela Presas<\/td>\n<td>Musicologia en el siglo XXI nuevos retos nuevos enfoques<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-IN-0004<\/td>\n<td>Zoila Elena Vega Salvatierra<\/td>\n<td>De la tristeza a la identidad<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-IN-0005<\/td>\n<td>Nieves Iglesias Mart\u00ednez<\/td>\n<td>La edici\u00f3n musical en Espa\u00f1a<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-IN-0006<\/td>\n<td>Zoila Elena Vega Salvatierra<\/td>\n<td>De la tristeza a la identidad, el yarav\u00ed peruano en las fuentes escritas de los siglos XVIII, XIX y XX<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-pedagogia\">\n<div class=\"cendoc-head\">\n<h3>PEDAGOG\u00cdA<\/h3>\n<div class=\"cendoc-count\">14 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0001<\/td>\n<td>Joan Maria Mart\u00ed<\/td>\n<td>Aprendizaje m\u00fasical para los ni\u00f1os, metodolog\u00edas y sistemas pedag\u00f3gicos de la did\u00e1ctica m\u00fasical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0002<\/td>\n<td>Joan Maria Mart\u00ed<\/td>\n<td>C\u00f3mo potenciar la inteligencia de los ni\u00f1os con la m\u00fasica, desarrolle sus habilidades motrices, linguisticas, matematicas, psicosociales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0003<\/td>\n<td>James Stark<\/td>\n<td>Bel canto, a history of vocal pedagogy<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0004<\/td>\n<td>Andrea Gir\u00e1ldez<\/td>\n<td>Did\u00e1ctica de la m\u00fasica en primaria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0005<\/td>\n<td>Olger Gutierrez Aguilar<\/td>\n<td>Maestria en gesti\u00f3n de la funci\u00f3n docente, medios y materiales educativos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0006<\/td>\n<td>Leonor Pacheco Rodr\u00edguez, Walter Apaza Aquise<\/td>\n<td>La evaluaci\u00f3n y la filosof\u00eda de la evaluaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0007<\/td>\n<td>Leonor Pacheco Rodr\u00edguez, Walter Apaza Aquise<\/td>\n<td>La evaluaci\u00f3n y la filosof\u00eda de la evaluaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0008<\/td>\n<td>Richard Huam\u00e1n Flores<\/td>\n<td>Lengua y sociedad en arequipa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0009<\/td>\n<td>Katherine Medina Rond\u00f3n<\/td>\n<td>Identidad, una representaci\u00f3n de mujeres de ABYA YALA de Duina Rodriguez<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0010<\/td>\n<td>Katherine Medina Rond\u00f3n<\/td>\n<td>Identidad, una representaci\u00f3n de mujeres de ABYA YALA de Duina Rodriguez<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0011<\/td>\n<td>Juan W. Yufra<\/td>\n<td>Para una historia de la literatura en arequipa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0012<\/td>\n<td>Juan W. Yufra<\/td>\n<td>Para una historia de la literatura en arequipa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0013<\/td>\n<td>Richard Huam\u00e1n Flores<\/td>\n<td>Lengua y sociedad en arequipa<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PE-0024<\/td>\n<td>PRODUCCI\u00d3N MUSICAL<\/td>\n<td>INVESTIGACI\u00d3N PEDAGOG\u00cdA REPERTORIO ENSAMBLE<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-repertorio-ensamble\">\n<div class=\"cendoc-head\">\n<h3>REPERTORIO ENSAMBLE<\/h3>\n<div class=\"cendoc-count\">78 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0001<\/td>\n<td>Eduardo Mazzini Otero- Jose F. Garcia Alva<\/td>\n<td>Aspides de las rosas nacaradas   ( vals)<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0002<\/td>\n<td>Pilar Lopera  Quintanilla<\/td>\n<td>Musica para dos teclados solos y con orquesta<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0003<\/td>\n<td>Chisuko Yoshida<\/td>\n<td>The complete compositions<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0004<\/td>\n<td>Koica Korea Internacional Cooperation Agency<\/td>\n<td>With koica UNSA 2012 2013<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0005<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Sonata neobarroca para flauta dulce contralto y violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0006<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Sonata neobarroca para flauta dulce contralto y violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0007<\/td>\n<td>Jean Fery Rebel<\/td>\n<td>Les caracteres de la danse<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0008<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Concierto Italiano primer movimiento<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0009<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Cuarteto incaico \u2013 flauta dulce contralto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0010<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Cuarteto incaico para faluta dulce contraltio , violin ,viola y violoncello<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0011<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Rondeau para flauta dulce soprano y piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0012<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Rondeau para flauta dulce sopranino y piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0013<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Espejismos para viola y piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0014<\/td>\n<td>Jean Gallon<\/td>\n<td>Trois \u00e9tudes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0015<\/td>\n<td>Verdi<\/td>\n<td>Aida Verdi<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0016<\/td>\n<td>Enrique Iturriaga<\/td>\n<td>Vivencias 1965<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0017<\/td>\n<td>Enrique Iturriaga<\/td>\n<td>Vivencias 1965<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0018<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0019<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0020<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0021<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0022<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0023<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0024<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0025<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0026<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0027<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0028<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0029<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0030<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0031<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0032<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0033<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0034<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Ier quatuor a cordes op.18  n\u00b01 FA Majeur<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0035<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0036<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0037<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Le quattro stagioni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0038<\/td>\n<td>Giuseppe Verdi<\/td>\n<td>La traviata in full Score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0039<\/td>\n<td>Jos\u00e9 Serrano<\/td>\n<td>La dolorosa, Zarzuela en dos actos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0040<\/td>\n<td>Giacomo Puccini<\/td>\n<td>Il trittico in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0041<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Cos\u00ed fan tutte in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0042<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Symphonies N\u00b0 1,2,3 and 4 in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0043<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Symphonies N\u00b0 5,6 and 7 in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0044<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Symphonies N\u00b0 8 and 9 in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0045<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>The magic flute die zauberflote, in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0046<\/td>\n<td>Franz Anton Hoffmeister<\/td>\n<td>Concerto for viola and piano in D major<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0047<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Seven great opera overtures in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0048<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Beethoven romances in F major and G major for violin and orchestra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0049<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band trombone 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0050<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band oboe<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0051<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Baritone B.C.<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0052<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic Warm-ups for band baritone T.C.<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0053<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band bassoon<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0054<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Bb clarinet 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0055<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Bb clarinet 2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0056<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Bb clarinet 3<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0057<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Bb tenor saxophone<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0058<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band conductor&#x27;s score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0059<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Eb alto clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0060<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Eb alto saxophone<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0061<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Eb baritone saxophone<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0062<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band F horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0063<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band flute piccolo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0064<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band mallet percussion<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0065<\/td>\n<td>Claude T. Smith<\/td>\n<td>symphonic warm-ups for band percussion<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0066<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0067<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band tuba<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0068<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Bb bass clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0069<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Bb trumpet 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0070<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band Bb trumpet 2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0071<\/td>\n<td>Claude T. Smith<\/td>\n<td>Symphonic warm-ups for band trombone 2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0072<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Concerto in E-flat major for horn and orchestra N\u00b03<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0073<\/td>\n<td>Nikolay Rimsky &#8211; Korsakov<\/td>\n<td>scheherazade in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0074<\/td>\n<td>Johann Strauss, Jr.<\/td>\n<td>Strauss the great waltzes in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0075<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Don Giovanni in full score<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0076<\/td>\n<td>Benjamin Britten<\/td>\n<td>Britten orchestral anthology  volumen 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0077<\/td>\n<td>Joseph Schwantner<\/td>\n<td>And the mountains rising nowhere<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-REN-0078<\/td>\n<td>Universidad Nacional de la m\u00fasica<\/td>\n<td>Enrique Iturriaga, tres canciones para coro y orquesta<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-piano\">\n<div class=\"cendoc-head\">\n<h3>PIANO<\/h3>\n<div class=\"cendoc-count\">155 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0001<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Apuntes de clase para estudio de instrumento complementario  : Piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0002<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Apuntes de clase para el estudio de instrumento complementario: piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0003<\/td>\n<td>Rafael Ortega Basagoiti<\/td>\n<td>La musica para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0004<\/td>\n<td>G.Henle Verlag<\/td>\n<td>J.S.Bach  Sechs Partiten<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0005<\/td>\n<td>G. Henle Verlag Munchen<\/td>\n<td>Beethoven klaviersonaten band<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0006<\/td>\n<td>G. Henle Verlag Munchen<\/td>\n<td>Beethoven klaviersonaten band<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0007<\/td>\n<td>G. Henle Verlagmunchen<\/td>\n<td>Mozart klaviersonaten band I<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0008<\/td>\n<td>G. Henle Verlag<\/td>\n<td>Mozart klaviersonates band II<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0009<\/td>\n<td>Ferdinand Beyer<\/td>\n<td>Metodo instrucci\u00f3n elemental para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0010<\/td>\n<td>Armand Ferte<\/td>\n<td>Los maestros del piano, estudios progresivos en 8 cuadernos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0011<\/td>\n<td>Dr. Edward Adolfo Escajadillo Umpire<\/td>\n<td>Manual para el aprendizaje del piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0012<\/td>\n<td>Armand Ferte<\/td>\n<td>Anthologie des grands maitres classiques du piano I<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0013<\/td>\n<td>Gerard Billaudot Editeur<\/td>\n<td>Collection panorama &#8211;  piano 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0014<\/td>\n<td>TH. Lack<\/td>\n<td>Les classiques favoris du. Piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0015<\/td>\n<td>F. Motte &#8211; Lacroix &#8211; varios<\/td>\n<td>Le petit claveciniste<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0016<\/td>\n<td>Armand Ferte<\/td>\n<td>Anthologie<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0017<\/td>\n<td>Denes Agay<\/td>\n<td>More classics to moderns (2)<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0018<\/td>\n<td>Florent Schmitt<\/td>\n<td>Petites musiques<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0019<\/td>\n<td>Pierre Sancan<\/td>\n<td>Pieces enfantines pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0020<\/td>\n<td>Pierre Sancan<\/td>\n<td>Pieces enfantines pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0021<\/td>\n<td>Pierre Sancan<\/td>\n<td>Pieces enfantines pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0022<\/td>\n<td>Denes Agay<\/td>\n<td>More classics to moderns (1)<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0023<\/td>\n<td>Edvard Grieg<\/td>\n<td>Grieg  lyric pieces II opus 38<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0024<\/td>\n<td>Ferdind Beyer<\/td>\n<td>Metodo elemental para piano  op 101<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0025<\/td>\n<td>Gaston Bollen<\/td>\n<td>Le dechiffrage progressif pour piano n\u00b013<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0026<\/td>\n<td>Gaston Bollen<\/td>\n<td>Dechiffrage progressif pour piano  n\u00b04<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0027<\/td>\n<td>Gaston Bollen<\/td>\n<td>Dechiffrage progressif pour piano  n\u00b02<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0028<\/td>\n<td>Van de Velde<\/td>\n<td>Adagio<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0029<\/td>\n<td>Charles-Louis Hanon<\/td>\n<td>El pianista virtuoso<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0030<\/td>\n<td>Carl Czerny<\/td>\n<td>The art of in brilliant style 50 studies in brilliant style<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0031<\/td>\n<td>Carl Czerny<\/td>\n<td>Schule der celaufigkeit<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0032<\/td>\n<td>Carl Czerny<\/td>\n<td>Nouveaux exercices journaliers pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0033<\/td>\n<td>Carl Czerny<\/td>\n<td>Nouveaux exercices journaliers pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0034<\/td>\n<td>Carl Czerny<\/td>\n<td>Nouveaux exercices journaliers pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0035<\/td>\n<td>Carl Czerny<\/td>\n<td>Nouveaux exercices journaliers pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0036<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Manual para el aprendizaje del piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0037<\/td>\n<td>Ettore Pozzoli<\/td>\n<td>La tecnica giornaliera del pianista<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0038<\/td>\n<td>I. Philipp<\/td>\n<td>Petit gradus ad parnassum<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0039<\/td>\n<td>I. Philipp<\/td>\n<td>M. Moszkowski<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0040<\/td>\n<td>I. Philipp<\/td>\n<td>M. Moszkowski PIANO<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0041<\/td>\n<td>Lucette Descaves et Marie Claude<\/td>\n<td>Nouvelle methode le couppey  pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0042<\/td>\n<td>Bernard Job &#8211; John Patrick Millow<\/td>\n<td>Le piano a portee de mains<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0043<\/td>\n<td>Theodore Lack<\/td>\n<td>Cours de piano de melle didi<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0044<\/td>\n<td>Le Petit koehler<\/td>\n<td>Le netit pianiste<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0045<\/td>\n<td>Theodore Lack<\/td>\n<td>Cours de piano de melle didi<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0046<\/td>\n<td>Hans de Bulow<\/td>\n<td>50 studi di G. B. Cramer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0047<\/td>\n<td>Theodore Lack<\/td>\n<td>Cours de piano de melle didi<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0048<\/td>\n<td>Withappendix by a. Knecht<\/td>\n<td>Schmitt<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0049<\/td>\n<td>I. Philipp<\/td>\n<td>M. Moszkowski<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0050<\/td>\n<td>Armand Ferte<\/td>\n<td>Etudes progressives<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0051<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Guia de practicas para el curso de piano complementario i y ii<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0052<\/td>\n<td>C.Stamaty le Rythme des Doigts<\/td>\n<td>Enseignement  du piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0053<\/td>\n<td>Ignace J. Paderewski<\/td>\n<td>La mejor musica del mundo tomo v (selecciones para concierto )<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0054<\/td>\n<td>Alfred Cortot<\/td>\n<td>Principes rationnels de la technque pianistique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0055<\/td>\n<td>Alfred Cortot<\/td>\n<td>Pricipess rationnels de la technque pianiistique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0056<\/td>\n<td>Bartok Reschofsky<\/td>\n<td>Methode de piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0057<\/td>\n<td>Sovtvllo y Vert<\/td>\n<td>La leyenda del beso<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0058<\/td>\n<td>Hermann Papendierck<\/td>\n<td>Romance de mozart<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0059<\/td>\n<td>W. Goldner<\/td>\n<td>Ganotte Canzonette Causerie Barcarole Polonaise<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0060<\/td>\n<td>Smith<\/td>\n<td>Gems from the operas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0061<\/td>\n<td>Julian Robledo<\/td>\n<td>Las tres de la ma\u00f1ana<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0062<\/td>\n<td>Wohlfahrt<\/td>\n<td>Lami des enfants piano 4 mains op. 87<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0063<\/td>\n<td>Gounod Burgmuller<\/td>\n<td>Fausto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0064<\/td>\n<td>Yamaha put little music in your life<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0065<\/td>\n<td>Pierre Sancan<\/td>\n<td>Pieces enfantines<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0066<\/td>\n<td>Carlos A. Polar R.<\/td>\n<td>Who is ? Vals<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0067<\/td>\n<td>Ch. M. Weber<\/td>\n<td>Linvitation a la valse<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0068<\/td>\n<td>Beethoven<\/td>\n<td>Bagatelles opus 119  &#8211;  beethoven<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0069<\/td>\n<td>Beethoven<\/td>\n<td>Ecossaises for the piano &#8211; beethoven<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0070<\/td>\n<td>Jane Magrath<\/td>\n<td>Commemoration of a genius<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0071<\/td>\n<td>Kleinmichel<\/td>\n<td>Clementi \u2013 32 sonatinas y Rondoes para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0072<\/td>\n<td>Charles Rene<\/td>\n<td>Beethoven Symphonies transcritres pour le piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0073<\/td>\n<td>Noel Gallon<\/td>\n<td>Preludes pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0074<\/td>\n<td>Noel Gallon<\/td>\n<td>Le livre de mes petits anis<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0075<\/td>\n<td>Noel Gallon<\/td>\n<td>Petites \u00e9tudes et pi\u00e9ces r\u00e9creatives<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0076<\/td>\n<td>Noel Gallon<\/td>\n<td>Petites \u00e9tudes et pi\u00e9ces r\u00e9creatives<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0077<\/td>\n<td>Armand Ferte<\/td>\n<td>Les clavecinistes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0078<\/td>\n<td>Frederic<\/td>\n<td>Le cahier de fre&#x27;d\u00e9ric 6 pieces pour piano par contran dessagnes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0079<\/td>\n<td>E. Granados<\/td>\n<td>Granados \u2013escenas poeticas libro de horas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0080<\/td>\n<td>Motte Lacroix<\/td>\n<td>Le petiti claveciniste<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0081<\/td>\n<td>Leo Delibes<\/td>\n<td>Th\u00e9atre de lop\u00e9ra copp\u00e9lia ballet en 3 actes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0082<\/td>\n<td>Leo Delibes<\/td>\n<td>Th\u00e9atre de lop\u00e9ra copp\u00e9lia ballet en 3 actes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0083<\/td>\n<td>A. Croisez<\/td>\n<td>L&#x27;orchestre au salon &#8211; morceaux a six mains sur le meme piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0084<\/td>\n<td>Edmond Gondinet &amp;  Philippe Gille<\/td>\n<td>Lakme \u2013 leo delibes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0085<\/td>\n<td>G. Coulpied &#8211; Sevestre<\/td>\n<td>Pour mes petits amis<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0086<\/td>\n<td>G. Coulpied Sevestre<\/td>\n<td>Pour mes petits amis<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0087<\/td>\n<td>Frederic<\/td>\n<td>Le cahier de frederic 6 pieces pour piano par contran dessagnes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0088<\/td>\n<td>Ch. Czerny<\/td>\n<td>L&#x27;orchestre au salon &#8211; morceaux a six mains sur le meme piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0089<\/td>\n<td>Clementi<\/td>\n<td>Sonatines<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0090<\/td>\n<td>P. Tschaikowsky<\/td>\n<td>Morceaux celebres pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0091<\/td>\n<td>O. Thumer<\/td>\n<td>Tschaikowsky jugend album fur klavier zu zwe handen<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0092<\/td>\n<td>Igor  Strawinsky<\/td>\n<td>Neu russische meister<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0093<\/td>\n<td>Tagliapietra<\/td>\n<td>Shubert 4 impromptus op 90<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0094<\/td>\n<td>Florent Schmitt<\/td>\n<td>Petites musiques<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0095<\/td>\n<td>James Palmeri<\/td>\n<td>Rachmaninoff prelude ing minor  for the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0096<\/td>\n<td>Marcel Quinet<\/td>\n<td>Badineries pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0097<\/td>\n<td>B\u00e9la Bart\u00f3k<\/td>\n<td>Klavierstucke, vom allerersten anfang an<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0098<\/td>\n<td>John l. Philip<\/td>\n<td>Pieces faciles pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0099<\/td>\n<td>Pierre Petit<\/td>\n<td>Sur les pistes de flaine<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0100<\/td>\n<td>Pozzoli<\/td>\n<td>Los grandes clasicos para los peque\u00f1os pianistas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0101<\/td>\n<td>Maurice Moszkowski<\/td>\n<td>Scherzo valse  opus 40<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0102<\/td>\n<td>Moszkomski<\/td>\n<td>Moder classic compositions for the piano forte<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0103<\/td>\n<td>Franz liszt<\/td>\n<td>Rhyapsodies hongroises for de pianoforte<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0104<\/td>\n<td>Franz liszt<\/td>\n<td>Trovatore paraphrase \u2013para piano fuerte<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0105<\/td>\n<td>Franz liszt<\/td>\n<td>Air du stabat mater<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0106<\/td>\n<td>Franz liszt<\/td>\n<td>Nocturnes reves damour pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0107<\/td>\n<td>Franz liszt<\/td>\n<td>Nocturnes reves damour pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0108<\/td>\n<td>Franz liszt<\/td>\n<td>Rhapsodie hongroise en re b pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0109<\/td>\n<td>Itvrriaga Enrique<\/td>\n<td>Pregon y danza para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0110<\/td>\n<td>Charles Henry<\/td>\n<td>Noel swing 8 pieces faciles pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0111<\/td>\n<td>Charles Henry<\/td>\n<td>Cinq l\u00e9gendes oubli\u00e9es<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0112<\/td>\n<td>Buonamici Montani<\/td>\n<td>Handel composiciones escogidas para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0113<\/td>\n<td>Charles Rene<\/td>\n<td>Beethoven symphonies transcrites pour le piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0114<\/td>\n<td>Carlos U. Ar\u00e9valo &#8211; Manuel i. Vellejos<\/td>\n<td>Eufemia polka a cuatro manos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0115<\/td>\n<td>Ruthardt<\/td>\n<td>Bach.kleine praludien und fughetten<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0116<\/td>\n<td>Rogert Boutry<\/td>\n<td>Le voleur d\u2019etincelles pour piano six mains<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0117<\/td>\n<td>Mel.Bonis<\/td>\n<td>Tout  petits vingt pi\u00e9ces pour le piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0118<\/td>\n<td>Victor Staur<\/td>\n<td>L. Van beethoven  sonate n\u00b0 17 pour piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0119<\/td>\n<td>Brahms<\/td>\n<td>Danzas hungaras para piano a 4 manos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0120<\/td>\n<td>Clementi<\/td>\n<td>Sonatines  pour piano a 2 maini op 37 et 38<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0121<\/td>\n<td>Jhon Thompson<\/td>\n<td>M\u00e9thode moderne de piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0122<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Mozart sonatas y fantasias para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0123<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Mozart sonatas y fantasias para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0124<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Wedding nightmare fantasia para piano en tres movimientos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0125<\/td>\n<td>Enrique Iturriaga<\/td>\n<td>Works for piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0126<\/td>\n<td>Yamaha<\/td>\n<td>50 greats for the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0127<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Musica Arequipe\u00f1a el Arequipiano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0128<\/td>\n<td>Edward Adolfo Escajadillo Umpire<\/td>\n<td>Musica Arequipe\u00f1a el Arequipiano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0129<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Cinco piezas para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0130<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Cinco piezas para piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0131<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Suite para clavecin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0132<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Suite para clavecin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0133<\/td>\n<td>Fr\u00e9d\u00e9ric Chopin<\/td>\n<td>Chopin etudes for the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0134<\/td>\n<td>Frederic Chopin<\/td>\n<td>Chopin ballades for the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0135<\/td>\n<td>Frederic Chopin<\/td>\n<td>Chopin nocturnes for the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0136<\/td>\n<td>Frederic Chopin<\/td>\n<td>Chopin waltzes for the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0137<\/td>\n<td>Mel Bonis<\/td>\n<td>Albun pour les tout -petits vingt pi\u00e9ces pour le piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0138<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Kleine Praludien und Fughetten<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0139<\/td>\n<td>Muzio Clementi  &#8211;  Louis Koehler<\/td>\n<td>Clementi sonatinas for the piano, Op. 36, 37, 38<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0140<\/td>\n<td>Dmitri Kabalevsky<\/td>\n<td>30 children&#x27;s pieces  Op. 27 Piano Solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0141<\/td>\n<td>Robert Schumann<\/td>\n<td>Album fur die jugend Opus 68<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0142<\/td>\n<td>Aloys Schmitt<\/td>\n<td>Schmitt &#8212; preparatory exercises, Op. 16 fior the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0143<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Das wohltemperierte klavier teil I<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0144<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Two part inventions<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0145<\/td>\n<td>Franz Liszt<\/td>\n<td>Ann\u00e9es de p\u00e8lerinage, troisi\u00e8me ann\u00e9e<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0146<\/td>\n<td>Buonamici, Giuseppe<\/td>\n<td>Bach, 18 little preludes and fugues, Piano Solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0147<\/td>\n<td>Epstein, Richard<\/td>\n<td>Mozart 19 Sonatas, for the Piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0148<\/td>\n<td>Schmidt, Aloys<\/td>\n<td>Ejercicios preparatorios Arpegios y Escalas, en todos los tonos mayores y menores<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0149<\/td>\n<td>John Thompson<\/td>\n<td>Curso moderno para el piano, el libro del primer grado<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0150<\/td>\n<td>Robert Schumann<\/td>\n<td>Schumann twelve four hand piano pieces, for Large and Small Children<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0151<\/td>\n<td>Varios<\/td>\n<td>Eighteen original piano duets<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0152<\/td>\n<td>Charles Louis Hanon<\/td>\n<td>The Virtuoso Pianist In Sixty Exercises<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0153<\/td>\n<td>Schmitt, Aloys<\/td>\n<td>Preparatory exercises for the piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0154<\/td>\n<td>B\u00e9la Bart\u00f3k<\/td>\n<td>Albun for the young for piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PIA-0155<\/td>\n<td>Frederic Chopin<\/td>\n<td>Chopin waltzes for the piano<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-cuerdas-frotadas\">\n<div class=\"cendoc-head\">\n<h3>CUERDAS FROTADAS<\/h3>\n<div class=\"cendoc-count\">96 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0001<\/td>\n<td>Zoila Elena Vega Salvatierra<\/td>\n<td>Instrumento principal IX, viol\u00edn y viola: apuntes de clase<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0002<\/td>\n<td>Armand Heck<\/td>\n<td>Concertino n\u00b05 pour piano et violon<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0003<\/td>\n<td>Pablo de Sarasat<\/td>\n<td>Danses espagnole<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0004<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Menuett CUERDAS FROTADAS<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0005<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Dos minuetos de la suite en sol mayor para violoncello solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0006<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Dos minuetos de la suite en sol mayor para violoncello solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0007<\/td>\n<td>Hans Pfitzner<\/td>\n<td>Sonate in fis moll  fur violoncell und pianoforte op 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0008<\/td>\n<td>Hans Pfitzner<\/td>\n<td>Sonate in fis moll  fur violoncell und pianoforte op 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0009<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Tres transfiguraciones sobre el preludio de la primera suite para violoncello de johann Sebastian Bach<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0010<\/td>\n<td>Pilar Lopera Quintanilla<\/td>\n<td>Allegro para Jimena en RE mayor para violin y orquesta de cuerdas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0011<\/td>\n<td>Alejandra Lopera Quintanilla<\/td>\n<td>Tres transfiguraciones sobre el preludio de la primera suite para violoncello de johann Sebastian Bach<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0012<\/td>\n<td>Pablo de Sarasate<\/td>\n<td>Danses espagnoles pour violon avee accompagnement de piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0013<\/td>\n<td>Maurice Hauchard<\/td>\n<td>Ecole du violon \u00e9tude M\u00e9thodique des positions<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0014<\/td>\n<td>Maurice Hauchard<\/td>\n<td>Ecole du violon \u00e9tude M\u00e9thodique des positions<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0015<\/td>\n<td>Maurice Hauchard<\/td>\n<td>Ecole du violon \u00e9tude M\u00e9thodique des positions<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0016<\/td>\n<td>O. Sevcik<\/td>\n<td>Violoncello Works  (Femillard)<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0017<\/td>\n<td>F. Mazas<\/td>\n<td>M\u00e9thode de violon<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0018<\/td>\n<td>Maurice de Villers<\/td>\n<td>Les gammes du violon<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0019<\/td>\n<td>Charles Auguste de Beriort<\/td>\n<td>The complete violin concertos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0020<\/td>\n<td>Otakar Sevcik<\/td>\n<td>Shool of violin technics complete parts I -IV, op 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0021<\/td>\n<td>Corelli, Tartini &amp; Paganini a la Kreisler<\/td>\n<td>The Fritz Kreisler collection Vol.3<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0022<\/td>\n<td>Rick Mooney<\/td>\n<td>Thumb position for cello book 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0023<\/td>\n<td>Rick Mooney<\/td>\n<td>Thumb position for cello book 2 Thumbs of steel<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0024<\/td>\n<td>Harvey S. Whistler<\/td>\n<td>Introducing the positions for violin vol. II second, fourth, sixth and seventh positions<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0025<\/td>\n<td>Tchaikovsky<\/td>\n<td>Valse sentimentale opus 51, N\u00b06 for viola and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0026<\/td>\n<td>Kreutzer<\/td>\n<td>42 studies for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0027<\/td>\n<td>Tchaikovsky<\/td>\n<td>Souvenir d&#x27;un lieu cher, m\u00e9ditation, scherzo &amp; m\u00e9lodie opus 42 for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0028<\/td>\n<td>Tchaikovsky<\/td>\n<td>Valse sentimentale opus 51, N\u00b06 for viola and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0029<\/td>\n<td>Gavini\u00e9s<\/td>\n<td>24 studies for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0030<\/td>\n<td>Dont<\/td>\n<td>24 studies preparatory to kreutzer and rode estudies opus 37 for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0031<\/td>\n<td>Glazunov<\/td>\n<td>Elegy opus 44 for viola and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0032<\/td>\n<td>Jacques Mazas<\/td>\n<td>Etudes speciales op 36 book I for violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0033<\/td>\n<td>Saint &#8211; Sa\u00e9ns<\/td>\n<td>Havanaise opus 83 for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0034<\/td>\n<td>Handel<\/td>\n<td>Sonata in D major, for two violins and piano, or two oboes and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0035<\/td>\n<td>Harvey S. Whistler<\/td>\n<td>Preparing for Kreutzer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0036<\/td>\n<td>Harvey S. Whistler<\/td>\n<td>Preparing for Kreutzer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0037<\/td>\n<td>Charles Dancla<\/td>\n<td>School of mechanism opus 74 for the violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0038<\/td>\n<td>Kayser<\/td>\n<td>36 studies, elementary and progressive opus 20, for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0039<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Six cello suites S. 1007 &#8211; 1012 for viola solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0040<\/td>\n<td>Joseph Vieland<\/td>\n<td>Orchestral excerpts from the symphonic repertoire for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0041<\/td>\n<td>Joseph Vieland<\/td>\n<td>Orchestral excerpts from the symphonic repertoire for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0042<\/td>\n<td>Joseph Vieland<\/td>\n<td>Orchestral excerpts from the symphonic repertoire for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0043<\/td>\n<td>Joseph Vieland<\/td>\n<td>Orchestral excerpts from the symphonic repertoire for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0044<\/td>\n<td>Joseph Vieland<\/td>\n<td>Orchestral excerpts from the symphonic repertoire for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0045<\/td>\n<td>Henri Wieniawski<\/td>\n<td>Concerto N\u00b0 2 in D minor, opus 22 for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0046<\/td>\n<td>Haydn<\/td>\n<td>Concerto in C major, hob. VII,n.I for cello and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0047<\/td>\n<td>Rimsky &#8211; Korsakov<\/td>\n<td>Flight of the bumble &#8211; bee, from the opera tsar saltan, for viola and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0048<\/td>\n<td>Khachaturian<\/td>\n<td>Concerto for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0049<\/td>\n<td>Paganini<\/td>\n<td>Moto perpetuo for viola and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0050<\/td>\n<td>Massenet<\/td>\n<td>Three pieces interlude N\u00b02 from don quichotte, meditation from thais elegie for cello and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0051<\/td>\n<td>Viotti<\/td>\n<td>Concerto N\u00b022 in A minor For violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0052<\/td>\n<td>Bruch<\/td>\n<td>Concerto N\u00b0 1 in G minor, opus 26 for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0053<\/td>\n<td>Viotti<\/td>\n<td>Concerto N\u00b0 23 in G major for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0054<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>6 sonatas and partitas S. 1001 &#8211; S. 1006 for violin solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0055<\/td>\n<td>Kabalevsky<\/td>\n<td>Concerto in C major, opus 48 for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0056<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>Sonata in E minor, RV 40<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0057<\/td>\n<td>Rode<\/td>\n<td>Concerto N\u00b0 7 in A minor, opus 9 in violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0058<\/td>\n<td>Rode<\/td>\n<td>Concerto N\u00b0 7 in A minor, opus 9 in violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0059<\/td>\n<td>Saint &#8211; Sa\u00e9ns<\/td>\n<td>Concerto N\u00b0 3 In B minor, opus 61<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0060<\/td>\n<td>Rode<\/td>\n<td>24 caprices for viola solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0061<\/td>\n<td>Vitali<\/td>\n<td>Chaconne in G minor for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0062<\/td>\n<td>Kreutzer<\/td>\n<td>42 studies for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0063<\/td>\n<td>Sarasate<\/td>\n<td>Introduction and tarantella opus 43 for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0064<\/td>\n<td>Sarasate<\/td>\n<td>Zapateando opus , N\u00b0 2 for violin and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0065<\/td>\n<td>Carl Flesch<\/td>\n<td>Scale system for violonchelo, scale exercises in all major and minor keys for daly study<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0066<\/td>\n<td>Henry Schradieck<\/td>\n<td>the school of violin technics complete books 1-3 and complete scale studies<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0067<\/td>\n<td>Henry Schradieck<\/td>\n<td>School of viola technique volume II for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0068<\/td>\n<td>Henry Schradieck<\/td>\n<td>School of viola technique volume I for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0069<\/td>\n<td>Schumann<\/td>\n<td>Five pieces in folk style opus 102 for viola and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0070<\/td>\n<td>Josephine Trott<\/td>\n<td>Melodious double stops for violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0071<\/td>\n<td>Rode<\/td>\n<td>Rode twenty four caprices for the violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0072<\/td>\n<td>George Vance<\/td>\n<td>Progresive repertoire for the double bass<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0073<\/td>\n<td>Friedrich Dotzauer<\/td>\n<td>113 etudes for cello book 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0074<\/td>\n<td>Ivan Galamian<\/td>\n<td>Contemporary violin technique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0075<\/td>\n<td>Ivan Galamian<\/td>\n<td>Contemporary violin technique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0076<\/td>\n<td>Harvey S. Whistler<\/td>\n<td>Introducing the positions for violin vol. I second, fourth, sixth and seventh positions<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0077<\/td>\n<td>Fritz Kreisler<\/td>\n<td>The Fritz Kreisler collection<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0078<\/td>\n<td>Schubert<\/td>\n<td>Arpeggione, D. 821 ausgabe fur viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0079<\/td>\n<td>Mazas<\/td>\n<td>Etudes brillantes opus 36 book II for viola solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0080<\/td>\n<td>Schubert<\/td>\n<td>Sonata in A minor arpeggione, D. 821 arranged for cello and guitar<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0081<\/td>\n<td>Jacques Mazas<\/td>\n<td>30 etudes speciales opus 36, booK 1 for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0082<\/td>\n<td>Charles Dancla<\/td>\n<td>School of mechanism opus 74 for viola<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0083<\/td>\n<td>Charles Dancla<\/td>\n<td>School of velocity english 50 daily exercises for violin op. 74<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0084<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Sonatas and Partitas BWV 1001- 1006  Solo Violin.<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0085<\/td>\n<td>Carl Flesch<\/td>\n<td>Scale system<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0086<\/td>\n<td>Galamian, Ivan   &#8211;   Neumann, Frederick<\/td>\n<td>Contemporary Violin Technique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0087<\/td>\n<td>Josephine  Trott<\/td>\n<td>Melodious double-stops for violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0088<\/td>\n<td>Harvey Whistler<\/td>\n<td>Preparing for Kreutzer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0089<\/td>\n<td>Yampolsky, Mark<\/td>\n<td>Violoncello Technique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0090<\/td>\n<td>Dotzauer, Friedrich<\/td>\n<td>113 etudes for cello<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0091<\/td>\n<td>Dotzauer, Friedrich<\/td>\n<td>113 etudes for cello<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0092<\/td>\n<td>O. Sevcik<\/td>\n<td>Shifting the Position and preparatory scale studies for the violin<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0093<\/td>\n<td>Sebastian Lee<\/td>\n<td>Melodious and progresive studies opus 31 violoncello<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0094<\/td>\n<td>Arnold Steinhardt<\/td>\n<td>Indivisible by four, a string quartet in pursuit of harmony<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0095<\/td>\n<td>Severn, Edmund<\/td>\n<td>Polish Dance (Violin &amp; Piano)<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CRF-0096<\/td>\n<td>Georg Philipp Telemann<\/td>\n<td>Concerto in G major for viola and piano<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-viento-metal\">\n<div class=\"cendoc-head\">\n<h3>VIENTO METAL<\/h3>\n<div class=\"cendoc-count\">64 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0001<\/td>\n<td>Francisco Samael Saravia Ramos<\/td>\n<td>Manual de pr\u00e1ctica musical en la trompeta<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0002<\/td>\n<td>Francisco Samael Saravia Ramos<\/td>\n<td>Manual de pr\u00e1ctica &#8211; calist\u00e9nia musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0003<\/td>\n<td>Allen Vizzustti<\/td>\n<td>The allen vizzutti trumpet method, book 2, harmonic studies<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0004<\/td>\n<td>J. B. Arban<\/td>\n<td>Arban&#x27;s complete conservatory method for trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0005<\/td>\n<td>Departamento editorial Haesung &amp; P<\/td>\n<td>Arban\u2019s  complete conservatory method for trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0006<\/td>\n<td>Phillip Farkas<\/td>\n<td>The art of French Horn Playing<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0007<\/td>\n<td>Maxime &#8211; Alphonse<\/td>\n<td>Deux cents \u00ebtudes nouvelles m\u00e9lodiques et progressives pour cor en six cahiers formant un ensemble complet allant de la petite difficult\u00e9 a la virtuosit\u00e9<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0008<\/td>\n<td>Georg Kopprasch<\/td>\n<td>Sixty selected studies for french horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0009<\/td>\n<td>Max Schlossberg<\/td>\n<td>Daily drills and technical studies for trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0010<\/td>\n<td>Robert W. Getchell<\/td>\n<td>Second book of practical studies for cornet and trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0011<\/td>\n<td>Robert W. Getchell<\/td>\n<td>First book of practical studies for cornet and trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0012<\/td>\n<td>Bruce Nelson<\/td>\n<td>Asi hablo Arnold Jacobs<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0013<\/td>\n<td>C. Kopprasch<\/td>\n<td>Sixty selected studies for french horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0014<\/td>\n<td>H. Voxman<\/td>\n<td>selected duets for french horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0015<\/td>\n<td>Philip Smith<\/td>\n<td>Concert studies 16 new studies from grade 3 though 6 for trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0016<\/td>\n<td>H. Voxman<\/td>\n<td>selected duets for french horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0017<\/td>\n<td>Martin Hackleman<\/td>\n<td>21 characteristic etudes for high horn playing<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0018<\/td>\n<td>Georg Kopprasch<\/td>\n<td>Sixty selected studies for french horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0019<\/td>\n<td>Muller, B<\/td>\n<td>34 studies opus 64 for horn volumen<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0020<\/td>\n<td>Muller, B<\/td>\n<td>34 studies opus 64 for horn volumen<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0021<\/td>\n<td>Saint-Jacome, Claude Gordon<\/td>\n<td>Grand method for trumpet or cornet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0022<\/td>\n<td>Caruso, Carmine<\/td>\n<td>A Sequel to Musical Calisthenics for Brass<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0023<\/td>\n<td>Guillaume Balay<\/td>\n<td>Methode de cornet a pistons<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0024<\/td>\n<td>Max Schlossberg<\/td>\n<td>Daily drills and technical studies for trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0025<\/td>\n<td>Walter M. Smith<\/td>\n<td>Lip Flexibility on the Trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0026<\/td>\n<td>Maxime Alphonse<\/td>\n<td>Nuevos Estudios Vol.1, 20 estudios dificiles para trompeta VIENTO METAL<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0027<\/td>\n<td>Maxime Alphonse<\/td>\n<td>Nuevos Estudios Vol.2: 20 estudios muy dificiles para trompeta<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0028<\/td>\n<td>Maxime Alphonse<\/td>\n<td>Deux cents etudes nouvelles pour cor cahier 4 vingt etudes dificiles<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0029<\/td>\n<td>Maxime Alphonse<\/td>\n<td>Maxime Alphonse two hundred new melodic and gradual studies vol 5  horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0030<\/td>\n<td>Robert Nagel<\/td>\n<td>Baroque music for trumpet with piano accompaniment<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0031<\/td>\n<td>Georg Kopprasch<\/td>\n<td>Sixty Selected Studies for Horn book 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0032<\/td>\n<td>Lucien Thevet<\/td>\n<td>Methode complete de cor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0033<\/td>\n<td>Arban Jean Baptiste; Alessi, Joseph; Bowman, Dr. Brian<\/td>\n<td>Arban complete method for trombone and euphonium<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0034<\/td>\n<td>Joannes Rochut<\/td>\n<td>Melodious Etudes for Trombone &#8211; Nos. 1- 60<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0035<\/td>\n<td>Larry Clark<\/td>\n<td>Six steps to success for trombone &#8211; euphonium &#8211; 40 Intermediate etudes in 8 keys<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0036<\/td>\n<td>Joannes Rochut<\/td>\n<td>Melodious Etudes for Trombone, nos. 61 &#8211; 90 selected from the vocalises of Marco Bordogni<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0037<\/td>\n<td>Carmine Caruso<\/td>\n<td>Musical calisthenics for brass<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0038<\/td>\n<td>Jean Baptiste Arban<\/td>\n<td>Complete method for tuba<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0039<\/td>\n<td>Maxime Alphonse<\/td>\n<td>Deux cents \u00e9tudes nouvelles m\u00e9lodiques et progressives pour cor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0040<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Concerto in D major for horn and orchestra n\u00b01  KV 412 + 514<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0041<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Concerto in E-flat major for horn and orchestra n\u00b02  KV 417<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0042<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Concerto in E-flat major for horn and Orchestra n\u00b0 3  KV 447<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0043<\/td>\n<td>Wolfgang Amadeus Mozart<\/td>\n<td>Concerto in E-flat major for horn and orchestra n\u00b0 4, KV 495<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0044<\/td>\n<td>Voxman, H.<\/td>\n<td>Selected duets for french Horn easy to medium<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0045<\/td>\n<td>Voxman, H.<\/td>\n<td>Selected duets for french Horn advanced<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0046<\/td>\n<td>Hackleman Martin<\/td>\n<td>21 characteristic etudes for high horn playing<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0047<\/td>\n<td>Georg Kopprasch<\/td>\n<td>Sixty Selected Studies for Horn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0048<\/td>\n<td>Georg Kopprasch<\/td>\n<td>Sixty Selected Studies for French Horn,<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0049<\/td>\n<td>Philip Farkas<\/td>\n<td>The art of french horn playing<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0050<\/td>\n<td>Girolamo Fantini<\/td>\n<td>Modo for Learning to Play the trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0051<\/td>\n<td>Cichowicz Michael,  Dulin Mark;   Rolfs Thomas;  Knopp Larry<\/td>\n<td>Fundamental Studies for the Developing Trumpet Player<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0052<\/td>\n<td>Cassone Gabriele.<\/td>\n<td>La tromba<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0053<\/td>\n<td>Philip Smith<\/td>\n<td>Concert studies for trumpet, 16 new studies from Grade 3 through 6<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0054<\/td>\n<td>Giuseppe Concone<\/td>\n<td>Complete scolfeggi trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0055<\/td>\n<td>Giuseppe Concone<\/td>\n<td>Lyrical studies for trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0056<\/td>\n<td>Robert W. Getchell<\/td>\n<td>First book of practical studies for cornet and trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0057<\/td>\n<td>Robert W. Getchell<\/td>\n<td>Second book practical studies for cornet and trumpet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0058<\/td>\n<td>Bert Appermont<\/td>\n<td>Concert band harmonie colors<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0059<\/td>\n<td>Senon Gilles<\/td>\n<td>25 Etudes rythmo tecchniques<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0060<\/td>\n<td>Vizzutti, Allen<\/td>\n<td>The Allen Vizzutti trumpet method, technical studies an intermediate advanced method<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0061<\/td>\n<td>Vizzutti, Allen<\/td>\n<td>The trumpet method harmonic studies, and intermediate, advanced method<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0062<\/td>\n<td>Vizzutti, Allen<\/td>\n<td>The trumpet method, melodic studies an intermediate, advanced method<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0063<\/td>\n<td>Arban, Joseph Jean-Baptiste Laurent<\/td>\n<td>Gran M\u00e9todo Completo para Trompeta, Corneta, Bugle y Saxhorn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-VME-0064<\/td>\n<td>Nelson, Bruce<\/td>\n<td>As\u00ed Habl\u00f3 Arnold Jacobs<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-flauta-dulce\">\n<div class=\"cendoc-head\">\n<h3>FLAUTA DULCE<\/h3>\n<div class=\"cendoc-count\">9 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0001<\/td>\n<td>Varios compositores barrocos<\/td>\n<td>The baroque solo book<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0002<\/td>\n<td>Jacob Van Eyck<\/td>\n<td>Der fluyten lust-hof<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0003<\/td>\n<td>Jacob Van Eyck<\/td>\n<td>Der fluyten lust-hof<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0004<\/td>\n<td>Jacob Van Eyck<\/td>\n<td>Der fluyten lust-hof<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0005<\/td>\n<td>Franz J. Giesbert<\/td>\n<td>Schule fur die altblockflote, stutzfingertechnik, treble recorder<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0006<\/td>\n<td>Franz Julius Giesbert<\/td>\n<td>Method for the treble recorder appendix, technical studies for the recorder<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0007<\/td>\n<td>O&#x27;Kelly, Eve E.<\/td>\n<td>The Recorder Today<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0008<\/td>\n<td>Bonsor, Brian<\/td>\n<td>Enjoy the Recorder a comprehensive method for group, individual and self tuition,  descant tutor book 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FDU-0010<\/td>\n<td>FLAUTA DULCE<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-percusion\">\n<div class=\"cendoc-head\">\n<h3>PERCUSI\u00d3N<\/h3>\n<div class=\"cendoc-count\">72 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0001<\/td>\n<td>Manel Ramada<\/td>\n<td>Atlas de percusi\u00f3n, gu\u00eda para percusionistas, profesores, compositores, directores y m\u00fasicos en general<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0002<\/td>\n<td>Mitchell Peters<\/td>\n<td>Fundamental method for mallets, book 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0003<\/td>\n<td>Mitchell Peters<\/td>\n<td>Fundamental method for mallets, book 2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0004<\/td>\n<td>George Lawrence Stone<\/td>\n<td>Stick control for the snare drummer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0005<\/td>\n<td>Cort McClaren<\/td>\n<td>The book of percussion pedagogy, a step &#8211; by &#8211; step approach for teachers y performers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0006<\/td>\n<td>Benjamin Podemski<\/td>\n<td>Podemski\u00b4s Standard Snare Drum Method<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0007<\/td>\n<td>Murray Houllif<\/td>\n<td>Contest  solos For The intermediate snare drummer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0008<\/td>\n<td>Nick Petrella<\/td>\n<td>The multiple percussion book, concepts for a musical performance<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0009<\/td>\n<td>Anthony J. Cirone<\/td>\n<td>Portraits in rhythm, la gu\u00eda completa de estudio, observaciones e interpretaciones de los cincuenta estudios para tambor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0010<\/td>\n<td>Keith Larson<\/td>\n<td>Progressive studies for snare drum<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0011<\/td>\n<td>Roy Burns and Sandy Feldstein<\/td>\n<td>Multiple percussion solos, at the advanced level<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0012<\/td>\n<td>Anthony J. Cirone<\/td>\n<td>Portraits for timpani, 50 studies for timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0013<\/td>\n<td>Tom Morgan<\/td>\n<td>The musical Marimbist, 20 original 2 &#8211; mallet pieces for the developing percussionist<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0014<\/td>\n<td>Josh Gottry<\/td>\n<td>Take a Seat, a collection of exercises, grooves, etudes &amp; solos for cajon<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0015<\/td>\n<td>Cort McClaren &amp; Nathan Daughtrey<\/td>\n<td>The book of  percussion audition music, for the 21 st century<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0016<\/td>\n<td>Michael W. Udow and Chris Watts<\/td>\n<td>The contemporary percussionist, 20 multiple percussion recital solos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0017<\/td>\n<td>Keiko Abe<\/td>\n<td>Works for marimba duo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0018<\/td>\n<td>Morris Goldenberg<\/td>\n<td>12 progressive solos for snare drum<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0019<\/td>\n<td>Josh Gottry<\/td>\n<td>Two streps forward, a structured approach for the development of keyboard percussion reading skills<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0020<\/td>\n<td>Garwood Whaley<\/td>\n<td>Fundamental studies for timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0021<\/td>\n<td>Nathan Daughtrey<\/td>\n<td>Duology 10 duets for young percussionists<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0022<\/td>\n<td>Josh Gottry<\/td>\n<td>For four, 7 original solos for developing, 4 mallet marimba technique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0023<\/td>\n<td>Charley S. Wilcoxon<\/td>\n<td>The all american drummer<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0024<\/td>\n<td>Eckhard Kopetzki<\/td>\n<td>Concert suite for solo snare drum<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0025<\/td>\n<td>Joe Morello<\/td>\n<td>Master studies<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0026<\/td>\n<td>Joe Morello<\/td>\n<td>Master studies II<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0027<\/td>\n<td>Josh Gottry<\/td>\n<td>All hands on deck a collection of duets, trios, and quartets for cajones, congas, and\/or  djembes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0028<\/td>\n<td>Neil Grover Garwood Whaley<\/td>\n<td>4 mallet fundamentals<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0029<\/td>\n<td>Tom Morgan<\/td>\n<td>10 sequential solos for rudimental snare drum<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0030<\/td>\n<td>Sperie Karas<\/td>\n<td>50 syncopated snare drum solos a modern approach for jazz, pop, and rock drummers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0031<\/td>\n<td>Alex Orfaly<\/td>\n<td>Studies in Copper, 15 orchestral etudes for timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0032<\/td>\n<td>Tom Morgan<\/td>\n<td>A sequential approach to rudimental snare drum<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0033<\/td>\n<td>Anthony J. Cirone<\/td>\n<td>Portraits for multiple percussion 50 solos for multiple percussion setup based on the rhythms of, portraits in rhythm<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0034<\/td>\n<td>Brett  William Dietz<\/td>\n<td>Perfect circles, 12 intermediate pieces for 4 timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0035<\/td>\n<td>Leigh Howard stevens<\/td>\n<td>Method of movement for marimba, wth 590 exercises<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0036<\/td>\n<td>Vida Chenoweth<\/td>\n<td>Marimba 7 Bach chorales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0037<\/td>\n<td>Tom Morgan<\/td>\n<td>The jazz drummer&#x27;s reading workbook<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0038<\/td>\n<td>Mitchell Peters<\/td>\n<td>Fundamental method for timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0039<\/td>\n<td>Nancy Zeltsman<\/td>\n<td>Forur &#8211; Mallet marimba playing a musical approach for all levels<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0040<\/td>\n<td>Alex Orfaly<\/td>\n<td>Copper control 25 roll etudes for the developing timpanist<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0041<\/td>\n<td>George Lawrence Stone<\/td>\n<td>Accents and rebounds<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0042<\/td>\n<td>Robert M. Mccormick<\/td>\n<td>3 dances for solo timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0043<\/td>\n<td>Morris Goldenberg<\/td>\n<td>Modern school for xylophone marimba vibraphone<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0044<\/td>\n<td>Brett Jones<\/td>\n<td>Suite Pepper 9 spicy, sequential for developing 4 mallet marimba chops<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0045<\/td>\n<td>Eckhard Kopetzki<\/td>\n<td>Summer suite snare drum solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0046<\/td>\n<td>Alice Gomez &#8211; Marilyn Rife<\/td>\n<td>Mbira song marimba solo for four mallets<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0047<\/td>\n<td>Ben Wahlund<\/td>\n<td>Mile marker zero 12 intermediate to advanced solos for low a marimba<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0048<\/td>\n<td>Alice Gomez &#8211; Marilyn Rife<\/td>\n<td>Rain dance for unaccompanied marimba<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0049<\/td>\n<td>Garwood Whaley<\/td>\n<td>Recital solos for snare drum<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0050<\/td>\n<td>Jon Metzger<\/td>\n<td>Step to Step collected solos for the developing percussionist<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0051<\/td>\n<td>Keith Larson<\/td>\n<td>Style studies for timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0052<\/td>\n<td>Wanamaker, Jay<\/td>\n<td>Drum rudiment dictionary, a complete reference guide containing the percussive arts society&#x27;s 40 internacional drum rudiments<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0053<\/td>\n<td>Houllif, Murray<\/td>\n<td>Multiplicities, ten grade 3-5 multiple percussion solos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0054<\/td>\n<td>Murray Houllif<\/td>\n<td>Contest  duets For The intermediate snare drummers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0055<\/td>\n<td>Murray Houllif<\/td>\n<td>Body percussion for two<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0056<\/td>\n<td>William J. Stinschine<\/td>\n<td>Bossa nova without instruments<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0057<\/td>\n<td>Elliot A. del Borgo<\/td>\n<td>Drum Check<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0058<\/td>\n<td>Charles Steele<\/td>\n<td>Duet for tom toms<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0059<\/td>\n<td>Wanamaker, Jay<\/td>\n<td>Alfred&#x27;s rudimental duets, for intermediate snare drmmers<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0060<\/td>\n<td>Jeff Moore<\/td>\n<td>Led Zeppelin Medley, for percussion septet and bass guitar PERCUSI\u00d3N<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0061<\/td>\n<td>Anthony J. Cirone<\/td>\n<td>Intermediate percussion ensemble collection<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0062<\/td>\n<td>Stanley Leonard<\/td>\n<td>Drum Celebration<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0063<\/td>\n<td>Henry Mancini &#8211; Kirk J. Gay<\/td>\n<td>The pink panther medley  inspector clouseau and the pink panther theme, for percussion octet and optionalbass guitar<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0064<\/td>\n<td>Carlos Ch\u00e1vez<\/td>\n<td>Toccata for  percussion instruments<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0065<\/td>\n<td>Leroy Anderson &#8211; Justin Koszarek<\/td>\n<td>The typewriter, for mallet ensemble, aux percussion, optional bass guitar and optional timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0066<\/td>\n<td>Anthony J. Cirone<\/td>\n<td>Overture in percussion, for percussion quintet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0067<\/td>\n<td>Leroy Anderson &#8211; Justin Koszarek<\/td>\n<td>The syncopated clock, for mallet ensemble aux. percussion, optional bass guitar and timpani<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0068<\/td>\n<td>Irving Mills &#8211; Duke Ellington &#8211; Juan Tizol &#8211; Jeff Moore<\/td>\n<td>Caravan for percussion nonet and Optional Bass Guitar<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0069<\/td>\n<td>John Lennon, Paul McCartney, Jeff Moore<\/td>\n<td>A Beatles Medley &#8212; 1963 &#8211; 64 songs from liverpool, for mallet ensemble, bass guitar and drumset<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0070<\/td>\n<td>Anthony J. Cirone<\/td>\n<td>Simple Steps to Percussion Ensemble<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0071<\/td>\n<td>John Williams &#8211; Eric Kalver<\/td>\n<td>Star Wars Medley<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-PER-0072<\/td>\n<td>John Williams &#8211; Eric Kalver<\/td>\n<td>Cantina Band, from Star Wars<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-guitarra\">\n<div class=\"cendoc-head\">\n<h3>GUITARRA<\/h3>\n<div class=\"cendoc-count\">82 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0001<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Guitarra metodo basico para aprender desde cero<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0002<\/td>\n<td>Carlos Fernandez Suarez<\/td>\n<td>Guia de clases notaci\u00f3n musical en guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0003<\/td>\n<td>Mauro Giuliani<\/td>\n<td>Composiciones para guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0004<\/td>\n<td>Pascual Roch<\/td>\n<td>M\u00e9todo moderno para guitarra escuela t\u00e1rrega<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0005<\/td>\n<td>Abner Rossi<\/td>\n<td>Metodo para guitarra electrica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0006<\/td>\n<td>Abner Rossi<\/td>\n<td>Metodo para guitarra electrica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0007<\/td>\n<td>Pascual Roch<\/td>\n<td>Metodo moderno para guitarra escuela t\u00e1rrega<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0008<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Escuela peruana de guitarra criolla<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0009<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Manual para el guitarrista profesional<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0010<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Valses criollazos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0011<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Los mejores boleros<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0012<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Los mejores recuerdazos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0013<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Folklore latino<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0014<\/td>\n<td>Gabriel Estarellas<\/td>\n<td>Dos preludios para guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0015<\/td>\n<td>Gabriel Estarellas<\/td>\n<td>Dos preludios para guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0016<\/td>\n<td>Gabriel Estrellas<\/td>\n<td>La guitarra espa\u00f1ola 1991<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0017<\/td>\n<td>Claudio Prieto<\/td>\n<td>In solidum 2 guitarras<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0018<\/td>\n<td>Claudio Prieto<\/td>\n<td>Preludio de luz y calor  guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0019<\/td>\n<td>Claudio Prieto<\/td>\n<td>La luz de la palabra trio de guitarras<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0020<\/td>\n<td>Claudio Prieto<\/td>\n<td>Contaba y contaba guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0021<\/td>\n<td>Claudio Prieto<\/td>\n<td>Fantasia balear<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0022<\/td>\n<td>Claudio Prieto<\/td>\n<td>Partida del alma<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0023<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Musica para noct\u00e1mbulos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0024<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Musica para noct\u00e1mbulos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0025<\/td>\n<td>Claudio Prieto<\/td>\n<td>Rapsodia gitana<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0026<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Sonata del p\u00f3rtico<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0027<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Sonata del p\u00f3rtico<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0028<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Tres preludios urbanos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0029<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Dedicatoria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0030<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Tres preludios urbanos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0031<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Tres preludios urbanos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0032<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Dedicatoria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0033<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Evocaciones suite para guitarras<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0034<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Fantasia mediterranea<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0035<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Vademecum de la iniciaci\u00f3n al virtuosismo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0036<\/td>\n<td>Anton Garcia Abril<\/td>\n<td>Dedicatoria GUITARRA<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0037<\/td>\n<td>Joaquin Rodrigo<\/td>\n<td>Concierto para guitarra y orquesta de Aranjuez<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0038<\/td>\n<td>Mendelssohn<\/td>\n<td>Ballet evolutions  sur chanson de printemps de Mendelssonn<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0039<\/td>\n<td>Marco Antonio Delgado Blanco<\/td>\n<td>Guitarra la primera revista especializada<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0040<\/td>\n<td>J. Turina<\/td>\n<td>Orgia<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0041<\/td>\n<td>F. Tarrega<\/td>\n<td>Pavana para guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0042<\/td>\n<td>Fernando Sor<\/td>\n<td>Fantasia eleg\u00edaca op.59<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0043<\/td>\n<td>P. Antonio Solder<\/td>\n<td>Sotana n\u00b08<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0044<\/td>\n<td>P. Antonio Solder<\/td>\n<td>Sotana n\u00b015  en metodo dorico<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0045<\/td>\n<td>P. Antonio Solder<\/td>\n<td>Sotana  n\u00b03  en LA mayor, original en SI remol mayor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0046<\/td>\n<td>Franz Schubert<\/td>\n<td>Ave maria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0047<\/td>\n<td>Franz Schubert<\/td>\n<td>Ave maria de A. Sinopoli<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0048<\/td>\n<td>Joaquin Rodrigo<\/td>\n<td>Concierto de Aranjuez  para guitarra y orquesta<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0049<\/td>\n<td>Mario Alberto Patane<\/td>\n<td>Dos piezas para dos guitarras<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0050<\/td>\n<td>Vitorio Monti<\/td>\n<td>Czardas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0051<\/td>\n<td>Vitorio Monti<\/td>\n<td>Monti Czardas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0052<\/td>\n<td>Mertz<\/td>\n<td>Musica per chitarra  6 ausgewahlte stucke fur gitarre<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0053<\/td>\n<td>I. J. Paderewski<\/td>\n<td>Celebre minue op 14  arreglo para guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0054<\/td>\n<td>F. Mendelssohn<\/td>\n<td>Romanza sin palabras op.102<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0055<\/td>\n<td>F. Mendelssohn<\/td>\n<td>Barcarola veneziana op. 19 per chitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0056<\/td>\n<td>Fr\u00e9d\u00e9ric Chopin<\/td>\n<td>Nocturno op.48<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0057<\/td>\n<td>Joseph Haydn<\/td>\n<td>Minuetto op.2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0058<\/td>\n<td>Fr\u00e9d\u00e9ric Chopin<\/td>\n<td>Tristeza<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0059<\/td>\n<td>Ruperto Chap\u00ed<\/td>\n<td>Serenata morisca  arreglo para dos guitarras<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0060<\/td>\n<td>Francisco Tarrega<\/td>\n<td>Obras cl\u00e1sicas y rom\u00e1nticas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0061<\/td>\n<td>Francisco Tarrega<\/td>\n<td>Chopin seis preludios<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0062<\/td>\n<td>A.Sinopoli<\/td>\n<td>Adios al piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0063<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Minue n\u00b01<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0064<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Gavotte pour guitare<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0065<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Preludio n\u00b08 de los 12 peque\u00f1os preludios<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0066<\/td>\n<td>Maria Luisa Anido<\/td>\n<td>Malague\u00f1a op.165<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0067<\/td>\n<td>Pedro Xim\u00e9nez de Abrill Tirado<\/td>\n<td>100 minuetes for guitar solo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0068<\/td>\n<td>Ignacio Ramos Altamira<\/td>\n<td>Historia de la guitarra, y los guitarristas espa\u00f1oles<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0069<\/td>\n<td>Emilio Pujol<\/td>\n<td>El dilema del sonido de la guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0070<\/td>\n<td>Emilio Pujol<\/td>\n<td>El dilema del sonido de la guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0071<\/td>\n<td>Fernando Sor<\/td>\n<td>Twenty studies for the guitar<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0072<\/td>\n<td>Jorge Cardoso<\/td>\n<td>Apuntes de interpretaci\u00f3n para el renacimiento y el barroco<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0073<\/td>\n<td>Jorge Cardoso<\/td>\n<td>Ciencia y metodo de la t\u00e9cnica guitarr\u00edstica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0074<\/td>\n<td>Leo Brouwer<\/td>\n<td>Nuevos estudios sencillos for guitar<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0075<\/td>\n<td>Maria Luisa Anido<\/td>\n<td>Album de 10 obras para guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0076<\/td>\n<td>Fernando Sor<\/td>\n<td>Twenty studies for the guitar<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0077<\/td>\n<td>Leo Brouwer<\/td>\n<td>\u00c9tudes simples<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0078<\/td>\n<td>Pujol, Emilio<\/td>\n<td>El dilema del sonido en la guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0079<\/td>\n<td>Fernando Sor<\/td>\n<td>Twenty studies for the guitar<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0080<\/td>\n<td>Oscar Marr\u00f3n Roque<\/td>\n<td>Guitarra cl\u00e1sica pune\u00f1a<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0081<\/td>\n<td>Virginia Yep<\/td>\n<td>Floreos, bordones y contrapuntos sonidos de la costa peruana, obras para guitarra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-GUI-0082<\/td>\n<td>Virginia Yep<\/td>\n<td>Floreos, bordones y contrapuntos sonidos de la costa peruana, obras para guitarra<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-canto\">\n<div class=\"cendoc-head\">\n<h3>CANTO<\/h3>\n<div class=\"cendoc-count\">36 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0001<\/td>\n<td>Departamento editorial<\/td>\n<td>Concone 50 lessons op 9 low voice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0002<\/td>\n<td>P. S. Lichius S. V. D.<\/td>\n<td>Primera misa facilista de gloria a una o dos voces<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0003<\/td>\n<td>varios<\/td>\n<td>M\u00fasica coral peruana volumen 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0004<\/td>\n<td>Robert Soubeyran<\/td>\n<td>Recitatifs et airs classiques j. S. Bach.<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0005<\/td>\n<td>Varios<\/td>\n<td>M\u00fasica coral peruana .volumen 2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0006<\/td>\n<td>Denis Magnon<\/td>\n<td>Douze \u00e9tudes m\u00e9lodiques en style d&#x27;auteurs niveau moyen<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0007<\/td>\n<td>Denis Magnon<\/td>\n<td>Douze \u00e9tudes m\u00e9lodiques en style d&#x27;auteurs niveau moyen<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0008<\/td>\n<td>Jacques Devogel<\/td>\n<td>Gloria CANTO<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0009<\/td>\n<td>Jacques Devogel<\/td>\n<td>Gloria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0010<\/td>\n<td>Jacques Devogel<\/td>\n<td>Gloria<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0011<\/td>\n<td>Enrique Iturriaga<\/td>\n<td>Work for voice and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0012<\/td>\n<td>Sujin Hwang<\/td>\n<td>Musical choir<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0013<\/td>\n<td>Georg Friedrich Handel<\/td>\n<td>Handel messiah<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0014<\/td>\n<td>J. Haydn<\/td>\n<td>Die schopfung<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0015<\/td>\n<td>\u52a0\u6cb9\u65b9\u6cd5 Gw-Oh Jang<\/td>\n<td>Audicion intermedio para estudiantes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0016<\/td>\n<td>\u52a0\u6cb9\u65b9\u6cd5 Gw-Oh Jang<\/td>\n<td>Audicion principiante para estudiantes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0017<\/td>\n<td>\u52a0\u6cb9\u65b9\u6cd5 Gw-Oh Jang<\/td>\n<td>Comprenci\u00f3n auditiva &#8211; intermedio para profesor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0018<\/td>\n<td>No hay introduccion sobre autor<\/td>\n<td>Concone 50 lessons op.9 medium voice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0019<\/td>\n<td>Janice L. Chapman<\/td>\n<td>Singing and teaching singing, a holistic approach to classical voice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0020<\/td>\n<td>Richard Walters<\/td>\n<td>The oratorio anthology, alto\/mezzo &#8211; soprano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0021<\/td>\n<td>Richard Walters<\/td>\n<td>The oratorio anthology, tenor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0022<\/td>\n<td>G. Schimer<\/td>\n<td>Arias for soprano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0023<\/td>\n<td>G. Schimer<\/td>\n<td>Arias for tenor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0024<\/td>\n<td>Richard Walters<\/td>\n<td>The oratorio anthology the vocal library soprano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0025<\/td>\n<td>Varios<\/td>\n<td>M\u00fasica coral peruana volumen 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0026<\/td>\n<td>Varios<\/td>\n<td>M\u00fasica coral peruana volumen 2<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0027<\/td>\n<td>Armando Sanchez Malaga<\/td>\n<td>Cancionero coral para los ni\u00f1os Peruanos<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0028<\/td>\n<td>Universidad Nacional de la m\u00fasica<\/td>\n<td>Taki, m\u00fasica coral con tematica peruana siglo XXI<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0029<\/td>\n<td>Nicola Vaccai<\/td>\n<td>Metodo pratico di canto italiano high voice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0030<\/td>\n<td>Nicola Vaccai<\/td>\n<td>Metodo pratico di canto italiano voice and piano low voice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0031<\/td>\n<td>Nicola Vaccai<\/td>\n<td>Metodo pratico di canto Italiano voice and piano medium voice<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0032<\/td>\n<td>Heinrich Panofka<\/td>\n<td>The art of singing; 24 vocalises, Op. 81: soprano, mezzo-soprano or tenor<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0033<\/td>\n<td>Larsen, Robert L.<\/td>\n<td>Arias for Soprano, G. Schirmer Opera Anthology<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0034<\/td>\n<td>Giuseppe Concone<\/td>\n<td>50 lessons for high voice, Op.9<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0035<\/td>\n<td>Richard Walters<\/td>\n<td>The oratorio anthology, alto\/mezzo &#8211; soprano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CAN-0036<\/td>\n<td>Richard Walters<\/td>\n<td>The oratorio anthology the vocal library soprano<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-flauta-traversa\">\n<div class=\"cendoc-head\">\n<h3>FLAUTA TRAVERSA<\/h3>\n<div class=\"cendoc-count\">29 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0001<\/td>\n<td>Marcel Moyse<\/td>\n<td>Gammes et arpeges, 480 excercises pour flute<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0002<\/td>\n<td>Marcel Moyse<\/td>\n<td>De la sonorite art et technique<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0003<\/td>\n<td>A. Mattieu Reichert<\/td>\n<td>Sept, exercises journaliers pour flute<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0004<\/td>\n<td>P. Taffanel  &amp;  Ph. Gaubert<\/td>\n<td>Complete method of the flute<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0005<\/td>\n<td>Serge Lancen<\/td>\n<td>Ariette pour flute et piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0006<\/td>\n<td>Hyo Sook Jeong<\/td>\n<td>Flute  clase 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0007<\/td>\n<td>Trevor Wye\u00b4s<\/td>\n<td>Practice Book for the flute books 1-6<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0008<\/td>\n<td>Peter &#8211; Lukas Graf<\/td>\n<td>The singing flute, how to develop and expressive tone, so entwickeln sie einen musikalischen ton comment acquerir une sonorit\u00e9 expressive<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0009<\/td>\n<td>Philippe Gaubert<\/td>\n<td>Treasures for flute and piano, compiled and edited by Amy Porter<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0010<\/td>\n<td>Louis Moyse<\/td>\n<td>Flute music by French composers, for flute and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0011<\/td>\n<td>Nancy Andrew<\/td>\n<td>Paris conservatory flute album 16 short lyric pieces for flute and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0012<\/td>\n<td>Telemann<\/td>\n<td>Concerto in G major for flute and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0013<\/td>\n<td>Marcel Moyse<\/td>\n<td>Exercices journaliers pour la flute<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0014<\/td>\n<td>Lowell Liebermann<\/td>\n<td>sonata for flute and piano op. 23<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0015<\/td>\n<td>Lowell Liebermann<\/td>\n<td>Concerto for flute and orchestra op. 39 solo part and piano reduction<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0016<\/td>\n<td>Lowell Liebermann<\/td>\n<td>Concerto for flute, harp, and orchestra op. 48, solo parts and piano reduction<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0017<\/td>\n<td>Lowell Liebermann<\/td>\n<td>Sonata for flute and guitar op. 25 FLAUTA TRAVERSA<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0018<\/td>\n<td>Trevor Wye<\/td>\n<td>Complete daily exercises for the flute essential practice material for intermediate to advanced flautists<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0019<\/td>\n<td>Peter &#8211; Lukas Graf<\/td>\n<td>Check &#8211; up 20 estudios b\u00e1sicos para flautistas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0020<\/td>\n<td>Lowell Liebermann<\/td>\n<td>Concerto op. 50 for piccolo and orchestra<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0021<\/td>\n<td>Philippe Bernold<\/td>\n<td>La technique d&#x27;embouchure<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0022<\/td>\n<td>Johann Joachim Quantz<\/td>\n<td>Saggio di un metodo per suonare il flauto traverso-La vita di Herr J. J. Quantz narrata da lui medesimo<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0023<\/td>\n<td>Bernold, Philippe.<\/td>\n<td>La technique d\u00b4embouchure 218 exercices pour maitriser toutes les difficult\u00e9s li\u00e9es \u00e1 l&#x27;embouchure de la flute traversi\u00e9re<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0024<\/td>\n<td>Bilmos Vilmos  &#8211;  Kov\u00e1cs G\u00e1bor<\/td>\n<td>Ausgewahlte etuden fur flote<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0025<\/td>\n<td>Giuseppe Gariboldi<\/td>\n<td>20 petites \u00e9tudes opus 132 pour flute<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0026<\/td>\n<td>Wincenc, Carol<\/td>\n<td>Seven daily exercises for flute Opus 5<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0027<\/td>\n<td>Joachim Andersen<\/td>\n<td>26 petits caprices opus 37 pour flute<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0028<\/td>\n<td>Paul Taffanel, Philippe Gaubert<\/td>\n<td>M\u00e9thode compl\u00e9te de flaute<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-FTR-0029<\/td>\n<td>Paul Taffanel, Philippe Gaubert<\/td>\n<td>M\u00e9thode compl\u00e9te de flaute<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-clarinete\">\n<div class=\"cendoc-head\">\n<h3>CLARINETE<\/h3>\n<div class=\"cendoc-count\">45 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0001<\/td>\n<td>Cyrille Rose<\/td>\n<td>40 studies for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0002<\/td>\n<td>Ramiro Antonio Miranda Paredes<\/td>\n<td>Factores que influyen en el desempe\u00f1o del instrumentista de clarinete<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0003<\/td>\n<td>Ramiro Antonio Miranda Paredes<\/td>\n<td>Factores que influyen en el desempe\u00f1o del instrumentista de clarinete<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0004<\/td>\n<td>Alfred Uhl<\/td>\n<td>48 studies for clarinet, book 1<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0005<\/td>\n<td>Carl Baerman<\/td>\n<td>Complete method for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0006<\/td>\n<td>Gustave langenus<\/td>\n<td>Complete method for the clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0007<\/td>\n<td>Ernesto Cavallini<\/td>\n<td>Thirty Caprices, for the clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0008<\/td>\n<td>Melvin Warner<\/td>\n<td>32 rose etudes, for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0009<\/td>\n<td>Paul Jeanjean<\/td>\n<td>Vade Mecum du clarinettiste six etudes speciales pour l&#x27;assouplissement rapide des doigts et de la langue<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0010<\/td>\n<td>Kalmen Opperman<\/td>\n<td>Modern daily studies for the clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0011<\/td>\n<td>Stark<\/td>\n<td>24 studies in all tonalities for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0012<\/td>\n<td>Kroepsch<\/td>\n<td>416 progressive daily studies for the clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0013<\/td>\n<td>Kroepsch<\/td>\n<td>416 progressive daily studies for the clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0014<\/td>\n<td>Kroepsch<\/td>\n<td>416 progressive daily studies for the clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0015<\/td>\n<td>Alfred Uhl<\/td>\n<td>48 etuden fur klarinette<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0016<\/td>\n<td>Jean Lef\u00e9vre<\/td>\n<td>60 esercizi scelti dal metodo per clarinetto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0017<\/td>\n<td>Alfred Uhl<\/td>\n<td>48 etuden fur klarinette<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0018<\/td>\n<td>Kell<\/td>\n<td>17 staccato studies<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0019<\/td>\n<td>C. Baermann<\/td>\n<td>Complete method for clarinet op. 63<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0020<\/td>\n<td>Cyrille Rose<\/td>\n<td>40 studies for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0021<\/td>\n<td>Klos\u00e9<\/td>\n<td>20 studi di genere e di meccanismo per clarinetto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0022<\/td>\n<td>Vincenzo Gambaro<\/td>\n<td>21 capricci per clarinetto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0023<\/td>\n<td>Hyacinthe Klos\u00e9<\/td>\n<td>Daily exercises for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0024<\/td>\n<td>Fritz, Kroepsch<\/td>\n<td>416 Etudes Progressives daly studies for the clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0025<\/td>\n<td>Jeanjean, Paul<\/td>\n<td>Vade-mecum du clarinettiste six \u00e9tudes sp\u00e9ciales<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0026<\/td>\n<td>Giampieri, Alamiro<\/td>\n<td>Cavallini 30 Capricci per Clarinetto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0027<\/td>\n<td>Cyrille Rose<\/td>\n<td>32 rose etudes for Clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0028<\/td>\n<td>Fritz Kroepsch<\/td>\n<td>416 \u00e9tudes progressives for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0029<\/td>\n<td>Giacinto Elionoro Klos\u00e9<\/td>\n<td>KLOSE &#8211; 20 estudios de car\u00e1cter y de mecanismo para clarinete<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0030<\/td>\n<td>Giacinto Elionoro Klos\u00e9<\/td>\n<td>Klose daily exercises for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0031<\/td>\n<td>Kell, Reginald<\/td>\n<td>Clarinet Staccato from the beginning<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0032<\/td>\n<td>Stark, Robert<\/td>\n<td>24 studies in all tonalities for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0033<\/td>\n<td>Gambaro, Vincenzo<\/td>\n<td>21 caprichos para clarinete<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0034<\/td>\n<td>Baermann, Carl<\/td>\n<td>Complete method for clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0035<\/td>\n<td>Yves Didier<\/td>\n<td>Les gammes du clarinettiste.<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0036<\/td>\n<td>Carbonare, Alessandro<\/td>\n<td>Clarinetto, Il suono arte e tecnica 100 esercizi giornalieri per migliorarne<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0037<\/td>\n<td>Ernesto Cavallini<\/td>\n<td>30 Capricci clarinetto<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0038<\/td>\n<td>Cyrille Rose<\/td>\n<td>32 rose etudes for Clarinet CLARINETE<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0039<\/td>\n<td>Giacinto Elionoro Klos\u00e9<\/td>\n<td>Estudios de Genero y Mecanismo (20) para Clarinete<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0040<\/td>\n<td>Giacinto Elionoro Klos\u00e9<\/td>\n<td>Daily Exercises for Clarinet<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0041<\/td>\n<td>Anna Butterworth, otros<\/td>\n<td>Theory workbook grade 6<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0042<\/td>\n<td>Jose Luis Eca Fiestas<\/td>\n<td>Obras para duo y tr\u00edo de clarinetes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0043<\/td>\n<td>Jose Luis Eca Fiestas<\/td>\n<td>Obras para duo y tr\u00edo de clarinetes<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0044<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Canciones sacras para cuarteto de flautas dulces<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-CLA-0045<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Canciones sacras para cuarteto de flautas dulces<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-saxofon\">\n<div class=\"cendoc-head\">\n<h3>SAXOF\u00d3N<\/h3>\n<div class=\"cendoc-count\">24 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0001<\/td>\n<td>Departamento editorial<\/td>\n<td>Saxophone method<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0002<\/td>\n<td>Michel Meriot<\/td>\n<td>sicilienne et tarentelle pour saxophone alto et piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0003<\/td>\n<td>E. Bozza<\/td>\n<td>pour saxophone alto et piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0004<\/td>\n<td>A.    Beaucamp<\/td>\n<td>Chant \u00e9l\u00e9giaque pour saxophone alto et piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0005<\/td>\n<td>Miguel Asencio Segarra<\/td>\n<td>Historia del saxof\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0006<\/td>\n<td>Donal J. Sinta<\/td>\n<td>Voicing an approach to the saxophone&#x27;s third register<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0007<\/td>\n<td>Larry Teal<\/td>\n<td>El arte de tocar el saxof\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0008<\/td>\n<td>Franz Wlhelm Ferling<\/td>\n<td>48 studies for alto saxophone in Eb3, op 31<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0009<\/td>\n<td>Ludwing Van Beethoven<\/td>\n<td>Romance in F major, opus 50 for alto saxophone and piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0010<\/td>\n<td>Guy Lacour<\/td>\n<td>50 Etudes and Progressive Studies  for saxophone<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0011<\/td>\n<td>Viola, Joseph<\/td>\n<td>Technique of the saxophone, scale studies<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0012<\/td>\n<td>Giacinto Elionoro Klos\u00e9<\/td>\n<td>M\u00e9todo completo de saxof\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0013<\/td>\n<td>Georg Philipp Telemann<\/td>\n<td>Sonate pour Saxophone Alto Mi b et Piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0014<\/td>\n<td>Robert Planel<\/td>\n<td>Suite romantique six pieces pour saxophone alto et piano, chanson triste<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0015<\/td>\n<td>Larry Teal  &#8211;  Ra\u00fal Gutierrez<\/td>\n<td>El Arte de Tocar el Saxof\u00f3n<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0016<\/td>\n<td>Jean-Marie Londeix<\/td>\n<td>Les Gammes Conjointes et en intervalles<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0017<\/td>\n<td>Guy Lacour<\/td>\n<td>Lacour, 50 easy and progressive studies for saxophone<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0018<\/td>\n<td>Jean-Marie Londeix<\/td>\n<td>TELEMANN sonata en MIB para saxofon y piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0019<\/td>\n<td>Jacques Ibert<\/td>\n<td>Aria for saxophone alto mib et piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0020<\/td>\n<td>Eugene Bozza<\/td>\n<td>Aria pour saxophone alto et piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0021<\/td>\n<td>Ibert Jacques<\/td>\n<td>Histoires pour saxophoneet piano par Marcel Mule<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0022<\/td>\n<td>BOZZA EUGENE<\/td>\n<td>Reves d&#x27;enfants saxophone alto &amp; piano<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0023<\/td>\n<td>Franz Wlhelm Ferling<\/td>\n<td>48 studies for alto saxophone in Eb3, op 31<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-SAX-0038<\/td>\n<td>SAXOF\u00d3N<\/td>\n<td>OBOE<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-oboe\">\n<div class=\"cendoc-head\">\n<h3>OBOE<\/h3>\n<div class=\"cendoc-count\">5 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-OBO-0001<\/td>\n<td>Graham  Salter<\/td>\n<td>Understanding the oboe reed<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OBO-0002<\/td>\n<td>Gillet, Georges<\/td>\n<td>\u00c9tudes pour l&#x27;enseignement sup\u00e9rieur du hautbois<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OBO-0003<\/td>\n<td>Reinhold Malzer  &#8211;  Gunther Passin<\/td>\n<td>Die Spieltechnik der Oboe, T\u00e4gliche grundlagen\u00fcbungen<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OBO-0004<\/td>\n<td>Wastall, Peter<\/td>\n<td>Aprende tocando el Oboe<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OBO-0010<\/td>\n<td>NATIVOS<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-otros-instrumentos\">\n<div class=\"cendoc-head\">\n<h3>OTROS INSTRUMENTOS<\/h3>\n<div class=\"cendoc-count\">3 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-OIN-0001<\/td>\n<td>Lay Mora<\/td>\n<td>Metodo armonica cromatica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OIN-0002<\/td>\n<td>Lay Mora<\/td>\n<td>El abc de la armonica<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OIN-0003<\/td>\n<td>Lay Mora<\/td>\n<td>El abc de la armonica<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-otros\">\n<div class=\"cendoc-head\">\n<h3>OTROS<\/h3>\n<div class=\"cendoc-count\">8 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0001<\/td>\n<td>Steve M. Slaby<\/td>\n<td>Geometria descriptiva tridimensional<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0002<\/td>\n<td>Mao Tse Tung<\/td>\n<td>Cinco tesis filosoficas<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0003<\/td>\n<td>Carlos Castillo Y Otto F. Bond<\/td>\n<td>Diccionario espa\u00f1ol ingles<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0004<\/td>\n<td>Grupo Editorial Oceano<\/td>\n<td>Oceano uno diccionario enciclopedico ilustrado<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0005<\/td>\n<td>Alberto Ruiz Cardenas<\/td>\n<td>Diccionario sinonimos multiples<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0006<\/td>\n<td>Programa Educativo Visual<\/td>\n<td>Visual diccionario enciclopedico color LEXUS<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0007<\/td>\n<td>Varios<\/td>\n<td>Nuevo testamento espa\u00f1ol e ingles<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-OT-0008<\/td>\n<td>Ruth Vargas Rinc\u00f3n<\/td>\n<td>Mujeres en voz alta<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<div role=\"tabpanel\" class=\"tab-pane fade\" id=\"cendoc-hemeroteca\">\n<div class=\"cendoc-head\">\n<h3>HEMEROTECA<\/h3>\n<div class=\"cendoc-count\">12 registros<\/div>\n<\/p><\/div>\n<div class=\"table-responsive\">\n<table class=\"table table-bordered table-striped table-hover table-condensed\">\n<thead>\n<tr>\n<th>C\u00f3digo cat<\/th>\n<th>Autor<\/th>\n<th>T\u00edtulo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0001<\/td>\n<td>Universidad de la musica<\/td>\n<td>ANTEC revista peruana de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0002<\/td>\n<td>Universidad de la musica<\/td>\n<td>ANTEC revista peruana de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0003<\/td>\n<td>Varios<\/td>\n<td>Instituto de investigaci\u00f3n ANTEC, revista Peruana de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0004<\/td>\n<td>Varios<\/td>\n<td>Instituto de investigaci\u00f3n ANTEC, revista Peruana de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0005<\/td>\n<td>Varios<\/td>\n<td>Chischay revista de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0006<\/td>\n<td>Varios<\/td>\n<td>Chischay revista de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0007<\/td>\n<td>Varios<\/td>\n<td>Chischay revista de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0008<\/td>\n<td>Varios<\/td>\n<td>Chischay revista de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0009<\/td>\n<td>Universidad de la musica<\/td>\n<td>ANTEC revista peruana de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0010<\/td>\n<td>Universidad de la musica<\/td>\n<td>ANTEC revista peruana de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0011<\/td>\n<td>Varios<\/td>\n<td>Chischay revista de investigaci\u00f3n musical<\/td>\n<\/tr>\n<tr>\n<td class=\"codigo-cat\">MU-HEM-0021<\/td>\n<td>OTROS INSTRUMENTOS<\/td>\n<td>OTROS HEMEROTECA NATIVOS<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><script>\n(function(){\n  function activarPestanas(){\n    var cont=document.getElementById('cendoc-catalogo');\n    if(!cont){return;}\n    var enlaces=cont.querySelectorAll('.cendoc-tabs a[data-toggle=\"tab\"]');\n    for(var i=0;i<enlaces.length;i++){\n      enlaces[i].onclick=function(e){\n        if(window.jQuery &#038;&#038; jQuery.fn &#038;&#038; jQuery.fn.tab){return true;}\n        e.preventDefault ? 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